Amelia Barikin is a Lecturer in Art History in the School of Communication and Arts. Her research often focusses on the relationship between art and time. Amelia completed her art history PhD at the University of Melbourne. Prior to joining UQ, Amelia worked as a Senior Research Associate on the ARC Linkage Project ‘Large Screens and the Transnational Public Sphere’ (University of Melbourne), and has also worked as a lecturer, editor and curator with numerous Australian arts institutions including Liquid Architecture and The Australian Centre for the Moving Image. She is a member of the Research Unit for Public Cultures, University of Melbourne, an editorial advisory board member of the arts journals Discipline and emaj and a board member of Media Art Asia Pacific, Brisbane. Amelia has taught on modern and contemporary art, art theory and curatorship and has published widely. Her book Parallel Presents: The Art of Pierre Huyghe was published by MIT Press in 2012. Her co-edited anthology Making Worlds: Art and Science Fiction was published by Surpllus in 2013. In 2015, she co-curated the major exhibition 'Pierre Huyghe: TarraWarra International 2015' at TarraWarra Museum of Art. She is currently researching the intersection of art and science fiction.
Recent public engagement activities include:
2016 Stanislaw Lem Reading Group, Biennale of Sydney, Carriageworks 24 April; 'Everywhere all at once: time travel and contemporary art', public lecture Wellington City Gallery, New Zealand 21 June; 'Nicholas Mangan: Limits to Growth', public talk Monash University Museum of Art 12 July; 'Frontier Imaginaries', panel discussion QUT Art Museum, Brisbane 13 August; 'Mineral Volumes', Materials of Sound Sympsosium, Artspace, Sydney 24 August; 'Art in the Time of Colony: conversation with Khadija von Zinnenburg Carroll', IMA Brisbane 15 October; 'The Future of ARIs', public panel discussion, BARI Festival Brisbane Powerhouse 20 October; 'ACMI Podcast: Philippe Parreno', October 2016; 'Philippe Parreno: In Conversation', ACMI Melbourne 6 Dec, 'Curating Publics, Curating Spaces', University of Melbourne 8 December.
2015 Museums and Galleries NSW Curator Residency Grant, TarraWarra Museum of Art 2015; Public lecture 'In Dreams: Lynch and Surrealism', GOMA March 2015; Panellist, UQ Art Museum 'The Places You'll Go!' March 2015; Presenter, 'Animism and Material Vitality' conference; Auckland AUT June 2015; Curator's tour, TarraWarra Museum of Art, August 2015; Screening and public talk, 'Pierre Huyghe: Untitled (Human Mask)', Australian Centre for the Moving Image, September 2015; Public lecture, 'Being After Time: Towards a Mineral Ontology of Contemporary Art', Mildura Biennale, October 2015; Public lecture, 'Sound Fossils and Arche-Fossils', Gertrude Contemporary, Melbourne October 2015; Presenter and co-convenor, 'Time out of Time', TarraWarra Museum of Art, October 2015; Public lecture for 'Worlds within Worlds', Academy of Fine Arts, Helsinki, December 9 2015.
2014 AGNSW Residency Scholarship, Cité Internationale des Arts, Paris, March-May 2014; Invited panellist, 'Draw Me a Discovery: Café Scientifique', Brisbane, 19 June 2014; Invited keynote respondent 'Art Out of Time' symposium, Oxford University UK, 26 June 2014; Continuing Professional Development Seminar for 'The Melancholic Imagination', University of Queensland, 30 August 2014; public exhibition tour of 'Stuart Ringholt: Kraft', Institute of Modern Art, Brisbane, 20 Sep 2014; public symposium co-convenor and presenter at 'Triple Oh! Symposium: Art and Object Oriented Ontology' UQ Art Museum, 27 Sep 2014; Session Chair, 'The Life of Things', EMSAH WIP Conference, University of Queensland, 29 Sep 2014; Judge, Dr John McCulloch Memorial Prize, Univeristy of Queensland, 30 Sep 2014; conference paper for public symposium 'The Persistence of Melancholia: Melancholia and the Arts 1514-2014', UQ Art Museum, 23-24 October 2014.
2013 'Making Worlds', public reading and book launch at Motto Melbourne, 5 Sep 2013; 'The Future is Noise', public panel discussion with Greg Hainge and David Toop, IMA Brisbane 22 Aug 2013; 'Art and Science Fiction', radio interview for 4ZZZ, Brisbane, 14 June 2013; 'Making Worlds: Art and Science Fiction', conference paper, ISEA, University of Sydney, 12 June 2013; 'Large Screens and the Transnational Public Sphere', roundtable with Nikos Papastergiadis, Scott McQuire, Ross Gibson, Cecelia Cmielewski, Audrey Yue and Xin Gu, ISEA, Sydney, 12 June 2013; 'Memories of the Future: On the Time of Art', public lecture, Institute of Modern Art, Brisbane, 11 April 2013; 'The Paper Trail: History and Archives in the Work of Thomas Demand', public lecture, National Gallery of Victoria, Melbourne, 15 March 2013.
Book Chapter: Blindness and figuration: the dialectics of picture-making in the work of Tom Nicholson
Barikin, Amelia (2018). Blindness and figuration: the dialectics of picture-making in the work of Tom Nicholson. In Amelia Barikin and Helen Hughes (Ed.), Tom Nicholson: lines towards another (pp. 39-52) Berlin, Germany: Sternberg Press.
Book: Making worlds: art and science fiction
Making worlds: art and science fiction. Edited by Amelia Barikin and Helen Hughes Melbourne, VIC, Australia: Surpllus, 2013.
Book: Parallel presents : the art of Pierre Huyghe
Barikin, Amelia Parallel presents : the art of Pierre Huyghe. Cambridge, MA., USA: MIT Press, 2012.
(2015)
Science Fiction and Art: Fictionalising the Present
(2013–2016) UQ Postdoctoral Research Fellowship
Towards A Nuclear Aesthetics: Maralinga and the Art of Jonathan Kumintjara Brown and Yhonnie Scarce
Master Philosophy
Between visuality and victorian science: aesthetics, epistemology and science in indo-mughal architectural photography 1850 - 1890
Doctor Philosophy
Remaking history in contemporary moving image and installation art
Doctor Philosophy
Making worlds: art and science fiction
Making worlds: art and science fiction. Edited by Amelia Barikin and Helen Hughes Melbourne, VIC, Australia: Surpllus, 2013.
Parallel presents : the art of Pierre Huyghe
Barikin, Amelia Parallel presents : the art of Pierre Huyghe. Cambridge, MA., USA: MIT Press, 2012.
Pierre Huyghe: TarraWarra International 2015
Barikin, Amelia and Lynn, Victoria Pierre Huyghe: TarraWarra International 2015. Healesville, VIC, Australia: TarraWarra Museum of Art, 2015.
Making worlds: art and science fiction
Making worlds: art and science fiction. Edited by Amelia Barikin and Helen Hughes Melbourne, VIC, Australia: Surpllus, 2013.
Parallel presents : the art of Pierre Huyghe
Barikin, Amelia Parallel presents : the art of Pierre Huyghe. Cambridge, MA., USA: MIT Press, 2012.
Blindness and figuration: the dialectics of picture-making in the work of Tom Nicholson
Barikin, Amelia (2018). Blindness and figuration: the dialectics of picture-making in the work of Tom Nicholson. In Amelia Barikin and Helen Hughes (Ed.), Tom Nicholson: lines towards another (pp. 39-52) Berlin, Germany: Sternberg Press.
Robert Smithson: time crystals
Barikin, Amelia and McAuliffe, Chris (2018). Robert Smithson: time crystals. In Amelia Barikin and Chris McAuliffe (Ed.), Robert Smithson: time crystals (pp. 5-36) Melbourne, Australia: Monash University Publishing in association with Monash University Museum of Art.
Towards an impossible summit: the journey as decoy in the work of Pierre Huyghe
Barikin, Amelia (2018). Towards an impossible summit: the journey as decoy in the work of Pierre Huyghe. In James P. Werner and Rosemary O'Neill (Ed.), Art as adventure: going beyond (pp. 76-93) Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing.
Sound fossils and speaking stones: towards a mineral ontology of contemporary art
Barikin, Amelia (2017). Sound fossils and speaking stones: towards a mineral ontology of contemporary art. In Christopher Braddock (Ed.), Animism in art and performance (pp. 253-276) London, United Kingdom: Palgrave Macmillan.
Chronophobia, presence and presentness in the work of Liam O'Brien
Barikin, Amelia (2016). Chronophobia, presence and presentness in the work of Liam O'Brien. In Annika Kristensen and Margaret Farmer (Ed.), New16 (pp. 54-55) Melbourne, Australia: Australian Centre for Contemporary Art.
Papastergiadis, Nikos, Barikin, Amelia and McQuire, Scott (2016). Conclusion: ambient screens. In Nikos Papastergiadis (Ed.), Ambient screens and transnational public spaces (pp. 211-238) Hong Kong: Hong Kong University Press.
Introduction: screen cultures and public spaces
Papastergiadis, Nikos, Barikin, Amelia, McQuire, Scott and Yue, Audrey (2016). Introduction: screen cultures and public spaces. In Nikos Papastergiadis (Ed.), Ambient screens and transnational public spaces (pp. 3-27) Hong Kong: Hong Kong University Press.
Mobile methods and large screens
Papastergiadis, Nikos, Barikin, Amelia, Gu, Xin, McQuire, Scott and Yue, Audrey (2016). Mobile methods and large screens. In Nikos Papastergiadis (Ed.), Ambient screens and transnational public spaces (pp. 131-208) Hong Kong: Hong Kong University Press.
Psychotropicalism: A manifesto in search of a manifestation
Barikin, Amelia (2016). Psychotropicalism: A manifesto in search of a manifestation. In Ulanda Blair, Rosemary Forde and Phip Murray (Ed.), un Anthology 2004 - 2014: A decade of art and ideas (pp. 145-150) Melbourne, Australia: un Projects.
Ambient aesthetics: altered subjectivities in the new museum
Barikin, Amelia, Papastergiadis, Nikos, Radywyl, Natalia and McQuire, Scott (2015). Ambient aesthetics: altered subjectivities in the new museum. In Sharon Macdonald and Helen Rees Leahy (Ed.), The international handbooks of museum studies (pp. 417-436) Chichester, West Sussex, United Kingdom: John Wiley & Sons. doi:10.1002/9781118829059.wbihms120
Ambient perspective and the citizen's moving eyes
Barikin, Amelia and Papastergiadis, Nikos (2015). Ambient perspective and the citizen's moving eyes. In Maria Hlavajova and Ranjit Hoskote (Ed.), Future publics (the rest can and should be done by the people): a critical reader in contemporary art (pp. 90-115) Utrecht, Netherlands: BAK: base for active knowledge.
Quantum entanglements and the construction of time: do we need a science-fictional history of art?
Barikin, Amelia (2015). Quantum entanglements and the construction of time: do we need a science-fictional history of art?. In era-unavailable (Ed.), Soleil double (pp. 17-24) Paris, France: Editions Dilecta.
The museum in hiding: framing conflict
Barikin, Amelia, Green, Charles and Brown, Lyndell (2015). The museum in hiding: framing conflict. In Sharon Macdonald and Helen Rees Leahy (Ed.), International handbooks of museum studies (pp. 485-510) Chichester, West Sussex, United Kingdom: John Wiley & Sons. doi:10.1002/9781118829059.wbihms123
Arche-fossils and future fossils: the speculative paleontology of Julian Charrière
Barikin, Amelia (2014). Arche-fossils and future fossils: the speculative paleontology of Julian Charrière. In Nicole Schweizer (Ed.), Julian Charrière: future fossil spaces (pp. 18-29) Milan, Italy: Mousse Publishing.
Bill Henson, untitled sequence, image no. 11
Barikin, Amelia (2014). Bill Henson, untitled sequence, image no. 11. In Andrea Bubenik (Ed.), Five Centuries of Melancholia: Exhibition Catalogue (pp. 63-63) St. Lucia, QLD, Australia: The University of Queensland Art Museum.
Bill Henson, untitled sequence, image no. 5
Barikin, Amelia (2014). Bill Henson, untitled sequence, image no. 5. In Andrea Bubenik (Ed.), Five Centuries of Melancholia: Exhibition Catalogue (pp. 61-61) St. Lucia, QLD, Australia: The University of Queensland Art Museum.
Public screens and participatory public space
Barikin, Amelia, Papastergiadis, Nikos, McQuire, Scott and Yue, Audrey (2014). Public screens and participatory public space. In Larissa Hjorth, Natalie King and Mami Kataoka (Ed.), Art in the Asia-Pacific Intimate Publics (pp. 161-172) New York, NY, USA: Routledge. doi:10.4324/9781315858104
Barikin, Amelia (2014). Since we last spoke. In Vikki McInnes and Laura Castagnini (Ed.), Bureau 2 (pp. 89-90) Melbourne, Australia: University of Melbourne; Margaret Lawrence Gallery, Victorian College of the Arts.
Super mechanical super organical: Emily Floyd's science fiction
Barikin, Amelia (2014). Super mechanical super organical: Emily Floyd's science fiction. In Linda Michael (Ed.), Emily Floyd: Far Rainbow (pp. 59-67) Melbourne, VIC, Australia: Heide Museum of Modern Art.
Tim Silver, untitled (Bust) (Mahogany Timbermate Woodfiller)
Barikin, Amelia (2014). Tim Silver, untitled (Bust) (Mahogany Timbermate Woodfiller). In Andrea Bubenik (Ed.), Five Centuries of Melancholia: Exhibition Catalogue (pp. 93-93) St. Lucia, QLD, Australia: The University of Queensland Art Museum.
Time outside of time: Stuart Ringholt's Club Purple and Untitled (Clock)
Barikin, Amelia (2014). Time outside of time: Stuart Ringholt's Club Purple and Untitled (Clock). In Charlotte Day and Robert Leonard (Ed.), Stuart Ringholt: Kraft (pp. 31-37) Melbourne, Australia: Monash University Museum of Art and Institute of Modern Art.
Zombie history: contemporary art in the jungles of cosmic time
Barikin, Amelia (2014). Zombie history: contemporary art in the jungles of cosmic time. In Helen Hughes and Nicholas Croggon (Ed.), Three Reflections on Contemporary Art History (pp. 55-74) Melbourne, VIC, Australia: Discipline.
Making worlds in art and science fiction
Barikin, Amelia (2013). Making worlds in art and science fiction. In Amelia Barikin and Helen Hughes (Ed.), Making worlds: art and science fiction (pp. 7-13) Melbourne, VIC, Australia: Surpllus.
Gray, Nathan, Martorell, Dylan, Barikin, Amelia and Thajib, Ferdiansyah (2013). Selatangents: Snawklor (Nathan Gray and Dylan Martorell) in discussion with Amelia Barikin and Ferdiansyah Thajib. In Anthony Gardner (Ed.), Mapping south: journeys in south-south cultural relations (pp. 349-368) Melbourne, VIC, Australia: The South Project.
Souvenirs du futur: du temps de l'art
Barikin, Amelia (2013). Souvenirs du futur: du temps de l'art. In Emma Lavigne and Pierre Huyghe (Ed.), Pierre Huyghe (pp. 213-216) Paris, France: Centre Georges Pompidou.
Barikin, Amelia (2013). Tales of the fourth dimension. In Amelia Barikin and Helen Hughes (Ed.), Making worlds: art and science fiction (pp. 234-240) Melbourne, VIC, Australia: Surpllus.
A short flight in a black cube
Barikin, Amelia (2012). A short flight in a black cube. In Ishak Raafat, Tom Nicholson, Danny Lacy, Nikos Papastergiadis and Amelia Barikin (Ed.), Raafat Ishak and Tom Nicholson: proposition for a banner march and a black cube hot air balloon (pp. 13-20) Shepparton, Vic., Australia: Shepparton Art Museum.
Diasportal: travels in space and time
Barikin, Amelia (2011). Diasportal: travels in space and time. In Dylan Martorell : soundtracks (pp. 1-5) Parkville, Vic., Australia: Asialink.
Douglas, Amelia (2010). Killing time. In Christopher Köller: killing time. A video retrospective (pp. 10-11) Melbourne, VIC, Australia: Kings Artist Run Initiative.
Pierre Huyghe's science fictions
Douglas, Amelia (2010). Pierre Huyghe's science fictions. In Centre for Contemporary Photography (Ed.), Event Horizon: Moon Souvenir Edition (pp. 3-3) Fitzroy, VIC, Australia: Centre for Contemporary Photography.
Wonderlands: experiencing experience. A conversation between Amelia Douglas and Tim Webster
Douglas, Amelia (2009). Wonderlands: experiencing experience. A conversation between Amelia Douglas and Tim Webster. In Amelia Douglas (Ed.), Wonderlands: Cristo redentor (pp. 3-11) Melbourne, VIC, Australia: Blindside Artist Run Space.
Ambient perspective and endless art
Papastergiadis, Nikos and Barikin, Amelia (2015) Ambient perspective and endless art. Discipline, 4 80-91.
Pierre Hughe: TarraWarra International 2015
Barikin, Amelia and Lynn, Victoria (2015) Pierre Hughe: TarraWarra International 2015. Healesville, VIC, Australia,
Round Table On the Critical Archive
Holert, Tom, Baumann, Stefanie, Blom, Ina, Basilio, Miriam, Puric, Biljana, Hsu, Claire, Boudry, Pauline, Lorenz, Renate, Barikin, Amelia and Gomez-Moya, Cristian (2014) Round Table On the Critical Archive. Artmargins, 3 3: 3-20. doi:10.1162/ARTM_a_00091
Translating gesture in a transnational public sphere
Barikin, Amelia, Papastergiadis, Nikos, Yue, Audrey, McQuire, Scott, Gibson, Ross and Gu, Xin (2014) Translating gesture in a transnational public sphere. Journal of Intercultural Studies, 35 4: 349-365. doi:10.1080/07256868.2014.913014
Barikin, Amelia (2014) We have begun to communicate with the animals, and the stars: speaking the future in Neil Beloufa's Kempinski. West Space Journal, 1 3: .
Stephen Russell: "Torpor Audit"
Barikin, Amelia (2014) Stephen Russell: "Torpor Audit". Eyeline, 1 80: 95-95.
no more stars (star wars): ra di martino
Barikin, Amelia (2014) no more stars (star wars): ra di martino. Broadsheet, 43 1: 33-35.
Papastergiadis, Nikos, McQuire, Scott, Gu, Xin, Barikin, Amelia, Gibson, Ross, Yue, Audrey, Jung, Sun, Cmielewski, Cecelia, Soh Yeong Roh and Jones, Matt (2013) Mega screens for mega cities. Theory, Culture and Society, 30 7-8: 325-341. doi:10.1177/0263276413503691
Screen cultures and public spaces
Barikin, Amelia, Papastergiadis, Nikos, McQuire, Scott and Yue, Audrey (2013) Screen cultures and public spaces. Dissect Journal, 1 1: 66-83.
Review of TarraWarra Biennial 2012: Sonic Spheres
Barikin, Amelia (2013) Review of TarraWarra Biennial 2012: Sonic Spheres. Art and Australia, 50 3: 472-472.
Australia vs Korea: dance battle 2012
Barikin, Amelia, Cmielewski, Cecilia, Gibson, Ross and Yi, Soojung (2012) Australia vs Korea: dance battle 2012. Federation Square, VIC, Australia; Art Center Nabi, Seoul, Korea; Northbridge Piazza, Perth, WA, Australia, University of Melbourne.
Barikin, Amelia and Themelios, Nella (2012) Acoustic ecologies. Melbourne, VIC. Australia, Arts Centre Melbourne.
Barikin, Amelia (2012) Parallel collisions: 2012 Adelaide Biennial of Australian Art curators Alexie Glass-Kantor and Natasha Bullock. Contemporary Visual Art+Culture Broadsheet, 41 1: 34-39.
Time shrines: mourning and melancholia in the work of Ash Keating
Barikin, Amelia (2012) Time shrines: mourning and melancholia in the work of Ash Keating. Discipline, 2: 18-24.
Douglas, Amelia, Gibson, Ross, Cmielewski, Cecelia and Yi, Soojung (2011) HELLO PROJECT. Federation Square, VIC, Australia; Arko Art Theatre, Seoul, Korea, Large Screens and the Transnational Public Sphere; Art Center Nabi.
Douglas, Amelia (2011) On contemporary history. Broadsheet, 40 2: 118-119.
Killing time: Christopher Koeller video retrospective
Douglas, Amelia (2010) Killing time: Christopher Koeller video retrospective. Melbourne, VIC, Australia, Kings Artist Run Initiative.
Douglas, Amelia and Themelios, Nella (2010) The sound playground. Melbourne, VIC, Australia, Bus Projects; Craft Victoria; fortyfivedownstairs.
Before and after science. Interview: Charlotte Day and Sarah Tutton
Douglas, Amelia (2010) Before and after science. Interview: Charlotte Day and Sarah Tutton. Contemporary Visual Art+Culture Broadsheet, 39 1: 25-27.
Grayson, Richard, McGovern, Eva, Green, Charles, Geczy, Adam, Lynn, Victoria, North, Ian, Millner, Jacqueline, Douglas, Amelia and French, Blair (2010) Critical or congratulatory?. Contemporary Visual Art+Culture Broadsheet, 39 1: 18-22.
Douglas, Amelia (2009) North star / dark star. un Magazine, 3 1: 70-71.
Douglas, Amelia (2009) The viewfinder and the view. Broadsheet, 38 3: 200-205.
A forest of lines: an interview with Pierre Huyghe
Douglas, Amelia (2008) A forest of lines: an interview with Pierre Huyghe. EMAJ: Electronic Melbourne Art Journal, 1 3: 1-7.
Psychotropicalism: a manifesto in search of a manifestation
Douglas, Amelia (2008) Psychotropicalism: a manifesto in search of a manifestation. un Magazine, 2 1: 6-11.
Douglas, Amelia (2006) A world of one. Contemporary Visual Art+Culture Broadsheet, 35 4: 234-236.
American entropy: Doug Aitken's blow debris
Douglas, Amelia (2005) American entropy: Doug Aitken's blow debris. EMAJ: Electronic Melbourne Art Journal, 1 1: 1.1-1.14.
The paper trail: history and excess in the photography of Thomas Demand
Douglas, Amelia (2005) The paper trail: history and excess in the photography of Thomas Demand. antiTHESIS, 15 188-201.
Large screens and the transnational public sphere
Papastergiadis, Nikos, McQuire, Scott, Barikin, Amelia, Cmielewski, Cecelia, Yue, Audrey, Gibson, Ross, Cmielewski, Leon, Jones, Matt and Gu, Xin (2013). Large screens and the transnational public sphere. In: Kathy Cleland, Laura Fisher and Ross Harley, Proceedings of the 19th International Symposium of Electronic Art. ISEA2013: The 19th International Symposium of Electronic Art. Resistance is Futile, Sydney, NSW, Australia, (1-6). 7-16 June, 2013.
Making worlds in art and science fiction
Barikin, Amelia (2013). Making worlds in art and science fiction. In: Kathy Cleland, Laura Fisher and Ross Harley, Proceedings of the 19th International Symposium of Electronic Art. ISEA2013: The 19th International Symposium of Electronic Art. Resistance is Futile, Sydney, NSW, Australia, (1-3). 7-16 June, 2013.
Found sound: the experimental instrumental project
Douglas, Amelia and Mishriki, Albert (2009) Found sound: the experimental instrumental project. Melbourne & Carlton, VIC, Australia, Guildford Lane Gallery; Tape Projects Space.
(2015)
Science Fiction and Art: Fictionalising the Present
(2013–2016) UQ Postdoctoral Research Fellowship
Towards A Nuclear Aesthetics: Maralinga and the Art of Jonathan Kumintjara Brown and Yhonnie Scarce
Master Philosophy — Principal Advisor
Other advisors:
Between visuality and victorian science: aesthetics, epistemology and science in indo-mughal architectural photography 1850 - 1890
Doctor Philosophy — Principal Advisor
Other advisors:
Remaking history in contemporary moving image and installation art
Doctor Philosophy — Principal Advisor
Other advisors:
Image of culture and self-appropriation in the art of Gordon Bennett
Master Philosophy — Associate Advisor
Other advisors:
Contemporary Aesthetics of Bark Painting
Doctor Philosophy — Associate Advisor
Other advisors:
Drones and Night Vision: Militarised Technology in Paintings by George Gittoes and Jon Cattapan
(2017) Master Philosophy — Principal Advisor
Other advisors:
(2016) Master Philosophy — Associate Advisor
Other advisors: