My research examines a wide range of issues related to what we might call 'digital culture'. I've researched and written about topics including, but not limited to, emotion recognition, selfies, memes, influencers, videogames, motion capture, virtual reality, and empathy. Regardless of my specific object, my research is motivated by three general, intersecting sets of questions.
I am the author or co-author of five published or forthcoming books. This includes: The Influencer Factory: A Marxist Theory of Corporate Personhood on YouTube (Stanford, 2024; co-authored with Katherine Guinness), an examination of ultra-rich influencer videos that argues influencer culture reveals a drive to 'vertically integrate' oneself and behave as if individuality can become interchangeable with the corporate form; The Affect Lab: The History and Limits of Measuring Emotion (Minnesota, 2023), a critique of 'affect theory' in the humanities and social sciences that makes its claims through key moments in the psychology of emotion and the technologies used to measure emotional experience; Materialist Media Theory: An Introduction (Bloomsbury, 2019), which updates and revises the claims of Marshall McLuhan and Harold Innis in relation to a variety of recent theoretical innovations, especially New and Feminist Materialisms; Theorizing Digital Cultures (SAGE, 2018), which provides a model for the study of digital media that synthesizes British and German approaches to media and culture; and Inhuman Networks: Social Media and the Archaeology of Connection (Bloomsbury, 2016), which examines the history of connectivity in Western culture as it crosses the development of technological, biological, financial, and social networks.
Additionally, with Yigit Soncul, I'm co-editor of a special issue of the journal parallax on 'Networked Liminality' (2020). With Yigit Soncul and Katherine Guinness, I'm co-editor of a Post45 cluster on 'Influencer Aesthetics' and the De Gruyter Handbook of Digital Cultures, both of which are forthcoming in the next few years.
Among other honours, I have been the recipient of a grant from the National Endowment for the Humanities, a residency at the Media Archaeology Lab at the University of Colorado, Boulder, and was a contributor to an issue of the magazine esse: Arts + Opinions on 'Empathy', which received an honourable mention for ‘Best Editorial Package’ from the Canadian National Magazine Awards/Les Prix du Magazine Canadien. In my previous position, at NC State University in Raleigh, North Carolina, I was named an NC State University Faculty Scholar, was a recipient of the NC State CHASS Outstanding Junior Faculty Award in the Humanities, and was a recipient of the Robert M. Entman Award for Excellence in Communication Research.
Some of my current research examines questions of aesthetic judgement and 'bad' videogames, the use of generative AI in 'brain decoding' and visualizing human thought through fMRI technologies, and, with Katherine Guinness, a project on spaces beyond frames in the history of art and 'immersive' audiovisual media.
My full list of publications, which includes PDFs of many of my articles and book chapters, can be found at my personal website, https://grantbollmer.com
Book: The influencer factory: a Marxist theory of corporate personhood on YouTube
Bollmer, Grant and Guinness, Katherine (2024). The influencer factory: a Marxist theory of corporate personhood on YouTube. Stanford, CA, United States: Stanford University Press.
Other Outputs: Billionaires are building bunkers and buying islands. But are they prepping for the apocalypse – or pioneering a new feudalism?
Guinness, Katherine, Bollmer, Grant and Doig, Tom (2024, 03 01). Billionaires are building bunkers and buying islands. But are they prepping for the apocalypse – or pioneering a new feudalism? The Conversation
Book Chapter: Absurd temporalities
Bollmer, Grant (2024). Absurd temporalities. Contemporary absurdities, existential crises, and visual art. (pp. 154-171) edited by Katherine Guinness and Charlotte Kent. Bristol, United Kingdom: Intellect Books.
The influencer factory: a Marxist theory of corporate personhood on YouTube
Bollmer, Grant and Guinness, Katherine (2024). The influencer factory: a Marxist theory of corporate personhood on YouTube. Stanford, CA, United States: Stanford University Press.
The De Gruyter handbook of digital culture
Bollmer, Grant, Guinness, Katherine and Soncul, Yiğit (2024). The De Gruyter handbook of digital culture. Berlin, Germany: De Gruyter.
The Affect Lab : The History and Limits of Measuring Emotion
Bollmer, Grant (2023). The Affect Lab : The History and Limits of Measuring Emotion. Minneapolis: University of Minnesota Press. doi: 10.5749/9781452970608
Materialist media theory: an introduction
Bollmer, Grant (2019). Materialist media theory: an introduction. New York, NY United States: Bloomsbury Academic. doi: 10.5040/9781501337086
Bollmer, Grant (2018). Theorizing digital cultures. London, United Kingdom: Sage Publications. doi: 10.4135/9781529714760
Inhuman networks: Social media and the archaeology of connection
Bollmer, Grant (2016). Inhuman networks: Social media and the archaeology of connection. Bloomsbury Publishing Plc..
Inhuman networks: social media and the archaeology of connection
Bollmer, Grant (2016). Inhuman networks: social media and the archaeology of connection. London, United Kingdom: Bloomsbury Academic.
Bollmer, Grant (2024). Absurd temporalities. Contemporary absurdities, existential crises, and visual art. (pp. 154-171) edited by Katherine Guinness and Charlotte Kent. Bristol, United Kingdom: Intellect Books.
Counter-selfies and the real subsumption of society
Bollmer, Grant (2022). Counter-selfies and the real subsumption of society. Visual culture approaches to the selfie. (pp. 20-39) edited by Derek Conrad Murray. New York, NY USA: Routledge. doi: 10.4324/9780367206109-1
E-sheikhs: How online Islamic discourse can reproduce authoritarian power structures
Abdel-Mageed, Dina and Bollmer, Grant (2022). E-sheikhs: How online Islamic discourse can reproduce authoritarian power structures. New Media Discourses, Culture and Politics after the Arab Spring. (pp. 83-102) London, United Kingdom: I.B. Tauris. doi: 10.5040/9780755640539.ch-5
Bollmer, Grant (2021). Mimetic sameness. Critical meme reader: global mutations of the viral image. (pp. 154-164) edited by Chloë Arkenbout, Jack Wilson and Daniel de Zeeuw. Amsterdam, Netherlands: Institute of Network Cultures. doi: 10.25969/mediarep/19281
Facial obfuscation and bare life: politicizing dystopia in Black Mirror
Bollmer, Grant (2020). Facial obfuscation and bare life: politicizing dystopia in Black Mirror. The moral uncanny in Black Mirror. (pp. 99-119) edited by Margaret Gibson and Clarissa Carden. Cham, Switzerland: Springer International Publishing. doi: 10.1007/978-3-030-47495-9_6
Selfies and dronies as relational political practices
Bollmer, Grant (2020). Selfies and dronies as relational political practices. The Routledge companion to mobile media art. (pp. 183-192) edited by Larissa Hjorth, Adriana de Souza e Silva and Klare Lanson. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9780429242816-22
From Immersion to Empathy: The Legacy of Einfühlung in Digital Art and Videogames
Bollmer, Grant (2020). From Immersion to Empathy: The Legacy of Einfühlung in Digital Art and Videogames. Shifting Interfaces: An Anthology of Presence, Empathy, and Agency in 21st Century Media Arts. (pp. 18-30) Leuven, Belgium: Leuven University Press.
Software Intimacies (Social Media and the Unbearability of Death)
Bollmer, Grant (2018). Software Intimacies (Social Media and the Unbearability of Death). Digital Intimate Publics and Social Media. (pp. 45-58) edited by Dobson, AS, Robards, B and Carah, N. Cham, Switzerland: Palgrave Macmillan. doi: 10.1007/978-3-319-97607-5_3
Speculations on the sociality of socialbots
Bollmer, Grant and Rodley, Chris (2016). Speculations on the sociality of socialbots. Socialbots and Their Friends: Digital Media and the Automation of Sociality. (pp. 147-163) New York, NY United States: Routledge. doi: 10.4324/9781315637228
Technobiological traffic: Networks, bodies, and the management of vitality
Bollmer, Grant David (2015). Technobiological traffic: Networks, bodies, and the management of vitality. Traffic: Media as Infrastructures and Cultural Practices. (pp. 117-135) Brill. doi: 10.1163/9789004298774_s007
Embodied parallelism and immersion in virtual reality gaming
Bollmer, Grant and Suddarth, Adam (2022). Embodied parallelism and immersion in virtual reality gaming. Convergence, 28 (2), 579-594. doi: 10.1177/13548565211070691
Empathy and nausea: virtual reality and Jordan Wolfson's Real Violence
Bollmer, Grant and Guinness, Katherine (2020). Empathy and nausea: virtual reality and Jordan Wolfson's Real Violence. Journal of Visual Culture, 19 (1), 28-46. doi: 10.1177/1470412920906261
Soncul, Yigit and Bollmer, Grant (2020). Networked liminality. Parallax, 26 (1), 1-8. doi: 10.1080/13534645.2019.1685775
Culture and Anarchy, from Matthew Arnold to the Internet
Bollmer, Grant (2020). Culture and Anarchy, from Matthew Arnold to the Internet. In Media Res.
The kinesthetic index: video games and the body of motion capture
Bollmer, Grant (2019). The kinesthetic index: video games and the body of motion capture. InVisible Culture Journal (30), 1-29. doi: 10.47761/494a02f6.88f91313
Books of faces: cultural techniques of basic emotions
Bollmer, Grant (2019). Books of faces: cultural techniques of basic emotions. NECSUS (8), 125-150. doi: 10.25969/mediarep/4191
Emotion detection and the mimetic faculty
Bollmer, Grant (2019). Emotion detection and the mimetic faculty. MediaCommons Field Guide.
Bollmer, Grant (2019). Networks before the Internet. JCMS: Journal of Cinema and Media Studies, 59 (1), 142-148. doi: 10.1353/cj.2019.0071
Bollmer, Grant (2019). The Automation of Empathy. Esse, 95, 30-37.
‘Do you really want to live forever?’: Animism, death, and the trouble of digital images
Bollmer, Grant and Guinness, Katherine (2018). ‘Do you really want to live forever?’: Animism, death, and the trouble of digital images. Cultural Studies Review, 24 (2), 79-96. doi: 10.5130/csr.v24i2.5995
The Knowledge We Have Lost in Information: The History of Information in Modern Economics
Bollmer, Grant (2018). The Knowledge We Have Lost in Information: The History of Information in Modern Economics. Journal of Cultural Economy, 11 (2), 169-172. doi: 10.1080/17530350.2018.1434557
The feeling of connection, or, complex narratives and the aesthetics of truth
Bollmer, Grant (2018). The feeling of connection, or, complex narratives and the aesthetics of truth. Frame: Journal of Literary Studies, 31 (2), 53-70.
Bollmer, Grant (2017). Empathy machines. Media International Australia Incorporating Culture and Policy, 165 (1), 63-76. doi: 10.1177/1329878X17726794
Stuart Cunningham, Terry Flew, and Adam Swift, Media economics
Bollmer, Grant (2017). Stuart Cunningham, Terry Flew, and Adam Swift, Media economics. Communication Research and Practice, 3 (4), 386-388. doi: 10.1080/22041451.2017.1366212
Bollmer, Grant and Guinness, Katherine (2017). Phenomenology for the selfie. Cultural Politics, 13 (2), 156-176. doi: 10.1215/17432197-4129113
Infrastructural temporalities: Facebook and the differential time of data management
Bollmer, Grant (2016). Infrastructural temporalities: Facebook and the differential time of data management. Continuum, 30 (1), 20-31. doi: 10.1080/10304312.2015.1099151
Technological Materiality And Assumptions About ‘Active’ Human Agency
Bollmer, Grant (2015). Technological Materiality And Assumptions About ‘Active’ Human Agency. Digital Culture & Society, 1 (1), 95-110. doi: 10.14361/dcs-2015-0107
Fragile storage, digital futures
Bollmer, Grant (2015). Fragile storage, digital futures. Journal of Contemporary Archaeology, 2 (1), 66-72. doi: 10.1558/jca.v2i1.27078
Marina Abramović doesn’t feel like you
Guinness, Katherine and Bollmer, Grant David (2015). Marina Abramović doesn’t feel like you. Feral Feminisms, 3 (Winter), 40-55.
Bollmer, Grant (2014). Big Data, Small Media. Cultural Studies Review, 20 (2). doi: 10.5130/csr.v20i2.4087
Pathologies of Affect: The 'new wounded' and the politics of ontology
Bollmer, Grant David (2014). Pathologies of Affect: The 'new wounded' and the politics of ontology. Cultural Studies, 28 (2), 298-326. doi: 10.1080/09502386.2013.826264
Book Review: Telesthesia: Communication, Culture & Class
Bollmer, Grant David (2013). Book Review: Telesthesia: Communication, Culture & Class. Media International Australia, 147 (1), 177-177. doi: 10.1177/1329878x1314700142
Millions Now Living Will Never Die: Cultural Anxieties About the Afterlife of Information
Bollmer, Grant David (2013). Millions Now Living Will Never Die: Cultural Anxieties About the Afterlife of Information. Information Society, 29 (3), 142-151. doi: 10.1080/01972243.2013.777297
Demanding Connectivity: The Performance of ‘True’ Identity and the Politics of Social Media
Bollmer, Grant (2012). Demanding Connectivity: The Performance of ‘True’ Identity and the Politics of Social Media. JOMEC Journal (1). doi: 10.18573/j.2012.10220
Bollmer, Grant David (2011). Virtuality in systems of memory: Toward an ontology of collective memory, ritual,and the technological. Memory Studies, 4 (4), 450-464. doi: 10.1177/1750698011399407
Community as a financial network: mortgages, citizenship, and connectivity
Bollmer, Grant (2011). Community as a financial network: mortgages, citizenship, and connectivity. Democratic Communique, 24 (1), 1-18.
Book Review Essay: Not Understanding the Network? A Review of Four Contemporary Works
Bollmer, Grant (2010). Book Review Essay: Not Understanding the Network? A Review of Four Contemporary Works. Communication Review, 13 (3), 243-260. doi: 10.1080/10714421.2010.505157
Virtual reality for a burning world
Bollmer, Grant and Guinness, Katherine (2023). Virtual reality for a burning world. RE:SOURCE – The 10th International Conference on the Histories of Media Art, Science and Technology, Venice, Italy, 13-16 September 2023.
Guinness, Katherine, Bollmer, Grant and Doig, Tom (2024, 03 01). Billionaires are building bunkers and buying islands. But are they prepping for the apocalypse – or pioneering a new feudalism? The Conversation
Bollmer, Grant (2019). The Hubbard Professional Mark Super VII Quantum E-Meter: notes on the media archaeology of scientology and technological metaphysics. MALware Technical Reports. Media Archaeology Lab, University of Colorado Boulder.
Will Silicon Valley’s New Company Towns End Up as Failed Utopias?
Bollmer, Grant (2018, 05 31). Will Silicon Valley’s New Company Towns End Up as Failed Utopias? The Conversation
Who is to Blame When iCloud is ‘Hacked’—You or Apple?
Bollmer, Grant (2014, 09 03). Who is to Blame When iCloud is ‘Hacked’—You or Apple? The Conversation