The University of Queensland

'Some disturbance to the ear when the voices enter': invertible canons at the octave in motets by Zarlino and Willaert

Collins, Denis (2022). 'Some disturbance to the ear when the voices enter': invertible canons at the octave in motets by Zarlino and Willaert. Journal of the Alamire Foundation, 14 (2), 247-282. doi: 10.1484/J.JAF.5.131812

Zelenka and the combinative impulse: contrapuntal techniques in the Miserere in D Minor, ZWV 56

Collins, Denis (2019). Zelenka and the combinative impulse: contrapuntal techniques in the Miserere in D Minor, ZWV 56. Musicology Australia, 41 (2), 199-225. doi: 10.1080/08145857.2019.1703488

New light on the mid-fourteenth-century chace: canons hidden in the Tournai manuscript

Stoessel, Jason and Collins, Denis (2019). New light on the mid-fourteenth-century chace: canons hidden in the Tournai manuscript. Music Analysis, 38 (1-2), 155-203. doi: 10.1111/musa.12116

Dürer, Music, and Melencolia I

Collins, Denis (2019). Dürer, Music, and Melencolia I. The Persistence of Melancholia in Arts and Culture. (pp. 49-67) edited by Andrea Bubenik . New York, NY United States: Routledge. doi: 10.4324/9780429468469-4

Approaching renaissance music using Taneyev's theories of movable counterpoint

Collins, Denis (2018). Approaching renaissance music using Taneyev's theories of movable counterpoint. Acta Musicologica, 90 (2), 178-201.

Horizontal-shifting counterpoint and parallel-section constructions in contrapuncti 8 and 11 from J. S. Bach’s Art of Fugue

Collins, Denis B. (2018). Horizontal-shifting counterpoint and parallel-section constructions in contrapuncti 8 and 11 from J. S. Bach’s Art of Fugue. Music Theory Online, 24 (4) 2. doi: 10.30535/mto.24.4.2

J.S. Bach in Australia: studies in reception and performance

Denis Collins, Kerry Murphy and Samantha Owens eds. (2018). J.S. Bach in Australia: studies in reception and performance. Melbourne, Australia: Lyrebird Press.

J.S. Bach in Australia: studies in reception and performance

Denis Collins, Kerry Murphy and Samantha Owens eds. (2018). J.S. Bach in Australia: studies in reception and performance. Melbourne, Australia: Lyrebird Press.

Histories and narratives of music analysis

Miloš Zatkalik, Milena Medić and Denis Collins eds. (2013). Histories and narratives of music analysis. Newcastle upon Tyne, England: Cambridge Scholars Publishing.

Music theory and its methods: structures, challenges, directions

Denis Collins ed. (2013). Music theory and its methods: structures, challenges, directions. Methodology of Music Research: Methodologie der Musikforschung, Frankfurt Am Main, Germany: Peter Lang.

A briefe and short instruction of the art of musicke by Elway Bevin

Collins, Denis B. and Bevin, Elway (2007). A briefe and short instruction of the art of musicke by Elway Bevin. Aldershot, U.K.: Ashgate.

Bevin, Elway

Hooper, Graham and Collins, Denis (2023). Bevin, Elway. Oxford Music Online/Grove music Online. (pp. 1-4) Oxford, United Kingdom: Oxford University Press. doi: 10.1093/gmo/9781561592630.article.02990

'La grandezza del numero sonoro': canonic techniques, combinatorics, and early scientific thought in seventeenth-century Rome

Stoessel, Jason and Collins, Denis (2022). 'La grandezza del numero sonoro': canonic techniques, combinatorics, and early scientific thought in seventeenth-century Rome. Music and science from Leonardo to Galileo. (pp. 155-186) edited by Rudolf Rasch. Turnhout, Belgium: Brepols.

Dürer, Music, and Melencolia I

Collins, Denis (2019). Dürer, Music, and Melencolia I. The Persistence of Melancholia in Arts and Culture. (pp. 49-67) edited by Andrea Bubenik . New York, NY United States: Routledge. doi: 10.4324/9780429468469-4

Emotion and communities of musical expression in the high renaissance

Collins, Denis (2019). Emotion and communities of musical expression in the high renaissance. Musica movet: affectus, ludus, corpus. (pp. 91-101) edited by Milena Medić. Belgrade, Serbia: Faculty of Music, University of Arts.

Music and dance

Collins, Denis and Nevile, Jennifer (2019). Music and dance. A Cultural History of the Emotions in the Late Medieval, Reformation and Renaissance Age. (pp. 49-67) edited by Andrew Lynch and Susan Broomhall. London, United Kingdom: Bloomsbury Academic.

Appendix 1

Collins, Denis, Murphy, Kerry and Owens, Samantha (2018). Appendix 1. J.S. Bach in Australia: studies in Reception and performance. (pp. 218-221) edited by Denis Collins, Kerry Murphy and Samantha Owens. Melbourne, Australia: Lyrebird Press.

Canon in Baroque Italy: Paolo Agostini's collections of masses, motets and counterpoints from 1627

Collins, Denis (2018). Canon in Baroque Italy: Paolo Agostini's collections of masses, motets and counterpoints from 1627. Music preferred: Essays in musicology, cultural history and analysis in honour of Harry White. (pp. 117-140) edited by Lorraine Byrne Bodley. Vienna, Austria: Hollitzer Wissenschaftsverlag.

Introduction

Collins, Denis, Murphy, Kerry and Owens, Samantha (2018). Introduction. J.S. Bach in Australia: studies in Reception and performance. (pp. 1-7) edited by Denis Collins, Kerry Murphy and Samantha Owens. Melbourne, Australia: Lyrebird Press.

Music as symbolic image: Christological narratives in the Agnus Dei sections of renaissance masses

Collins, Denis and Stoessel, Jason (2018). Music as symbolic image: Christological narratives in the Agnus Dei sections of renaissance masses. Music/image: transpositions, translations, transformations. (pp. 60-71) edited by Mirjana Veselinovic-Hofman, Vesna Mikic, Tijana Popovic-Mladjenovic and Ivana Perkovic. Belgrade: Faculty of Music, University of Arts in Belgrade.

Continuity and discontinuity in contrapuntal techniques ca. 1500

Collins, Denis (2016). Continuity and discontinuity in contrapuntal techniques ca. 1500. Music: transitions/continuities. (pp. 120-132) edited by Mirjana Veselinovic-Hofman, Vesna Mikic, Tijana Popovic Mladenovic and Ivana Perkovic. Belgrade, Serbia: Faculty of Music, University of Arts in Belgrade.

Creative collaborative thought and puzzle canons in renaissance music

Collins, Denis (2016). Creative collaborative thought and puzzle canons in renaissance music. Collaborative Creative Thought and Practice in Music. (pp. 111-125) Taylor and Francis. doi: 10.4324/9781315572635-17

Creative collaborative thought and puzzle canons in renaissance music

Collins, Denis (2014). Creative collaborative thought and puzzle canons in renaissance music. Collaborative creative thought and practice in music. (pp. 111-126) edited by Margaret Barrett. Farnham, Surrey, United Kingdom: Ashgate.

John Bull's "Art of Canon" and plainsong-based counterpoint in the late renaissance

Collins, Denis (2013). John Bull's "Art of Canon" and plainsong-based counterpoint in the late renaissance. Music Theory and its Methods: Structures, Challenges, Directions. (pp. 99-127) edited by Denis Collins. Frankfurt Am Main, Germany: Peter Lang.

Palestrina's Missa Sacerdotes Domini and analytical approaches to renaissance counterpoint

Collins, Denis (2013). Palestrina's Missa Sacerdotes Domini and analytical approaches to renaissance counterpoint. Histories and Narratives of Music Analysis. (pp. 120-134) edited by Miloš Zatkalik, Milena Medić and Denis Collins. Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing.

Preface

Collins, Denis (2013). Preface. Music Theory and its Methods: Structures, Challenges, Directions . (pp. VII-VIII) edited by Collins, D.. Berlin, Germany: Peter Lang. doi: 10.3726/978-3-653-02906-2

Approaches to invertible canonic composition in late sixteenth-century theory and practice.

Collins, D. B. (2004). Approaches to invertible canonic composition in late sixteenth-century theory and practice.. Music Research: New Directions for a New Century. (pp. 368-375) edited by M. Ewans, R. Halton and J. Phillips. London: Cambridge Scholars Press.

The vocal canons of Fernando Sor

Collins, D. B. (2003). The vocal canons of Fernando Sor. Estudios Sobre Fernando Sor/Sor Studies. (pp. 305-312) edited by Luis Gasser. Madrid, Spain: Instituto Complutense de Ciencias Musicales.

Fugue, Canon and Double Counterpoint in Nicola Vicentino's L'antica musica

Collins, Denis (1993). Fugue, Canon and Double Counterpoint in Nicola Vicentino's L'antica musica. Music and the Church. (pp. 276-301) edited by Harry White and Gerard Gillen. Dublin, Ireland: Four Courts Press.

Colloquy: A Case for a Critical Edition of the Complete Works of Jan Dismas Zelenka (1679–1745)

Stockigt, Janice B., Talbot, Michael, Frampton, Andrew, Kiernan, Frederic and Collins, Denis (2023). Colloquy: A Case for a Critical Edition of the Complete Works of Jan Dismas Zelenka (1679–1745). Musicology Australia, 44 (2), 1-40. doi: 10.1080/08145857.2022.2187988

'Some disturbance to the ear when the voices enter': invertible canons at the octave in motets by Zarlino and Willaert

Collins, Denis (2022). 'Some disturbance to the ear when the voices enter': invertible canons at the octave in motets by Zarlino and Willaert. Journal of the Alamire Foundation, 14 (2), 247-282. doi: 10.1484/J.JAF.5.131812

Review of Paul Walker, Fugue in the Sixteenth Century (Oxford: Oxford University Press, 2020)

Collins, Denis (2022). Review of Paul Walker, Fugue in the Sixteenth Century (Oxford: Oxford University Press, 2020). BACH: Journal of the Riemenschneider Bach Institute, 53 (1), 130-137. doi: 10.1353/bach.2022.0008

Review of Jan Dismas Zelenka, Six Settings of Ave regina coelorum (ZWV 128) edited by Frederic Kieran

Collins, Denis (2019). Review of Jan Dismas Zelenka, Six Settings of Ave regina coelorum (ZWV 128) edited by Frederic Kieran. Context: Journal of Music Research, 45, 89-91.

Zelenka and the combinative impulse: contrapuntal techniques in the Miserere in D Minor, ZWV 56

Collins, Denis (2019). Zelenka and the combinative impulse: contrapuntal techniques in the Miserere in D Minor, ZWV 56. Musicology Australia, 41 (2), 199-225. doi: 10.1080/08145857.2019.1703488

New light on the mid-fourteenth-century chace: canons hidden in the Tournai manuscript

Stoessel, Jason and Collins, Denis (2019). New light on the mid-fourteenth-century chace: canons hidden in the Tournai manuscript. Music Analysis, 38 (1-2), 155-203. doi: 10.1111/musa.12116

Approaching renaissance music using Taneyev's theories of movable counterpoint

Collins, Denis (2018). Approaching renaissance music using Taneyev's theories of movable counterpoint. Acta Musicologica, 90 (2), 178-201.

Horizontal-shifting counterpoint and parallel-section constructions in contrapuncti 8 and 11 from J. S. Bach’s Art of Fugue

Collins, Denis B. (2018). Horizontal-shifting counterpoint and parallel-section constructions in contrapuncti 8 and 11 from J. S. Bach’s Art of Fugue. Music Theory Online, 24 (4) 2. doi: 10.30535/mto.24.4.2

Instructions for keyboard accompaniment in Music Manuscript 244 of the University of Melbourne

Collins, Denis (2017). Instructions for keyboard accompaniment in Music Manuscript 244 of the University of Melbourne. Musica Disciplina, 60, 173-200.

Discomfit them, O Lord, that trust in their own multitude: a new editorial approach to the Tallis-Byrd Cantiones sacrae

Collins, Denis (2016). Discomfit them, O Lord, that trust in their own multitude: a new editorial approach to the Tallis-Byrd Cantiones sacrae. Musicology Australia, 38 (2), 172-181. doi: 10.1080/08145857.2016.1239243

Review of Mark Hijleh, Towards a Global Music Theory: Practical Concepts and Methods for the Analysis of Music across Human Cultures

Collins, Denis (2016). Review of Mark Hijleh, Towards a Global Music Theory: Practical Concepts and Methods for the Analysis of Music across Human Cultures. Musicology Australia, 38 (2), 194-197. doi: 10.1080/08145857.2016.1239244

Review of Mary Louise O'Donnell, Ireland's Harp: The Shaping of Irish Modernity, c.1770-1880.

Collins, Denis (2016). Review of Mary Louise O'Donnell, Ireland's Harp: The Shaping of Irish Modernity, c.1770-1880.. Australasian Journal of Irish Studies, 16, 133-135.

Taneyev's theories of moveable counterpoint and the music of J.S. Bach

Collins, Denis (2015). Taneyev's theories of moveable counterpoint and the music of J.S. Bach. BACH: Journal of the Riemenschneider Bach Institute, 46 (2), 22-45.

Thomas Schmidt-Beste (ed.), The Motet Around 1500: On the Relationship of Imitation and Text Treatment? (2012); and Albert Clement and Eric Jas (eds), Josquin and the Sublime (2011)

Collins, Denis (2015). Thomas Schmidt-Beste (ed.), The Motet Around 1500: On the Relationship of Imitation and Text Treatment? (2012); and Albert Clement and Eric Jas (eds), Josquin and the Sublime (2011). Journal of the Society for Musicology in Ireland, 10 (14-15), 57-64.

Fundamentals of Musical Performance [by] Zdenek Bruderhans

Collins, Denis (2012). Fundamentals of Musical Performance [by] Zdenek Bruderhans. Musicology Australia, 34 (2), 339-340. doi: 10.1080/08145857.2012.738057

Musicianship in the 21st Century: Issues, Trends, and Possibilities

Collins, Denis (2012). Musicianship in the 21st Century: Issues, Trends, and Possibilities. Musicology Australia, 34 (2), 335-338. doi: 10.1080/08145857.2012.738056

William Bathe's tabular method and late Renaissance theories of Canon composition

Collins, Denis B. (2009). William Bathe's tabular method and late Renaissance theories of Canon composition. Music Theory and Analysis, 1, 87-95.

"So you want to write a canon?" An historically-informed new approach for the modern theory class

Collins, Denis (2008). "So you want to write a canon?" An historically-informed new approach for the modern theory class. College Music Symposium, 48, 108-123. doi: 10.2307/25664812

William Byrd's motets and canonic writing in England

Collins, Denis (2008). William Byrd's motets and canonic writing in England. Context: Journal of Music Research, 1 (33), 45-65.

From Bull to Bach: In search of precedents for the "Complete" version of the Canon by augmentation and contrary motion in J.S. Bach's Musical Offering

Collins, Denis B. (2007). From Bull to Bach: In search of precedents for the "Complete" version of the Canon by augmentation and contrary motion in J.S. Bach's Musical Offering. BACH: The Journal of the Riemenschneider Bach Institute, 38 (2), 39-63.

The art of fugue: Bach fugues for keyboard, 1715-1750

Collins, Denis (2005). The art of fugue: Bach fugues for keyboard, 1715-1750. Musicology Australia, 28 (1), 143-146. doi: 10.1080/08145857.2005.10415287

Review of Peter Williams, Bach: The Goldberg Variations

Collins, D. B. (2004). Review of Peter Williams, Bach: The Goldberg Variations. Eighteenth-Century Music, 1 (2), 318-319.

The transmission of Zarlino's canonic theory in seventeenth-century organ chorale settings

Collins, Denis (2003). The transmission of Zarlino's canonic theory in seventeenth-century organ chorale settings. Musicology Australia, 26 (1), 38-64. doi: 10.1080/08145857.2003.10416508

Bach's occasional canon BWV 1073 and 'stacked' canonic procedure in the eighteenth century

Collins, Denis (2002). Bach's occasional canon BWV 1073 and 'stacked' canonic procedure in the eighteenth century. BACH: The Journal of the Riemenschneider Bach Institute, 33 (2), 15-34.

An Unusual Effect in the Canon Per Tonos from J. S. Bach's Musical Offering

Collins, Denis and Schloss, W. Andrew (2001). An Unusual Effect in the Canon Per Tonos from J. S. Bach's Musical Offering. Music Perception, 19 (2), 141-154. doi: 10.1525/mp.2001.19.2.141

Voice leading in cantus firmus-based composition: a comparison between theory and practice in Renaissance and Baroque music using computer-assisted inferential measures

Collins, Denis and Huron, David (1999). Voice leading in cantus firmus-based composition: a comparison between theory and practice in Renaissance and Baroque music using computer-assisted inferential measures. Computers in Music Research, 6 (Spring), 53-95.

Bach and approaches to canonic composition in early eighteenth-century theoretical and chamber music sources

Collins, Denis (1999). Bach and approaches to canonic composition in early eighteenth-century theoretical and chamber music sources. BACH: The Journal of the Riemenschneider Bach Institute, 30 (2), 27-48.

Spiegel-Kontrapunkt in Theorie und Praxis: Vorlaufer fur Contrapunctus 12 und 13 aus Bachs Kunst der Fuge

Collins, Denis (1996). Spiegel-Kontrapunkt in Theorie und Praxis: Vorlaufer fur Contrapunctus 12 und 13 aus Bachs Kunst der Fuge. Bach-Jahrbuch, 82, 77-92.

Musical terminology in the canonic works of Bach: an historical context

Collins, Denis (1995). Musical terminology in the canonic works of Bach: an historical context. BACH: The Journal of the Riemenschneider Bach Institute, 26 (1/2), 91-101.

The Martini-Redi polemic on the solution of a canon by Giovanni Animuccia

Collins, Denis (1995). The Martini-Redi polemic on the solution of a canon by Giovanni Animuccia. Indiana Theory Review, 16 (Spring-Fall), 61-81.

Thomas Tomkins's canonic additions to Thomas Morley's 'A Plaine and Easie Introduction to Practicall Musicke'

Collins, Denis (1995). Thomas Tomkins's canonic additions to Thomas Morley's 'A Plaine and Easie Introduction to Practicall Musicke'. Music and Letters, 76 (3), 345-355. doi: 10.1093/ml/76.3.345

Canon and music pedagogy 1500-1800

Collins, Denis (1994). Canon and music pedagogy 1500-1800. Theoria: Historical Aspects of Music Theory, 8, 53-72.

Historical precedents for Bach's Evolutio Canon BWV 1087-10

Collins, Denis (1993). Historical precedents for Bach's Evolutio Canon BWV 1087-10. BACH: The Journal of the Riemenschneider Bach Institute, 24 (1), 5-14.

Zarlino and Berardi as teachers of canon

Collins, Denis (1993). Zarlino and Berardi as teachers of canon. Theoria: Historical Aspects of Music Theory, 7, 103-123.

Using optical music recognition to encode 17th-century music prints: the canonic works of Paolo Agostini (c.1583–1629) as a test case

Stoessel, Jason, Collins, Denis and Bolland, Scott (2020). Using optical music recognition to encode 17th-century music prints: the canonic works of Paolo Agostini (c.1583–1629) as a test case. 7th International Conference on Digital Libraries for Musicology, Montreal, Canada, 16 October 2020. New York, United States: Association for Computing Machinery. doi: 10.1145/3424911.3425517

Panel Discussion:'What’s missing in music and emotion research?'

Schubert, Emery, MacKinnon, Dolly, Collins, Denis and Garrido, Sandra (2017). Panel Discussion:'What’s missing in music and emotion research?'. The 3rd Conference of the Australian Music & Psychology Society (AMPS) including the 5th International Conference on Music and Emotion (ICME)., School of Music, The University of Queensland, Brisbane, 7-9 December 2017..

Henry Purcell's Three Parts Upon a Ground and the traditions of English counterpoint

Collins, Denis (2010). Henry Purcell's Three Parts Upon a Ground and the traditions of English counterpoint. Seventh International Conference on Music Theory and Analysis, Belgrade, Serbia-Montenegro, May 15-17 2009. Belgrade, Serbia: University of Arts, Belgrade.

'Sufficient to quench the thirst of the most insaciate scholler whatsoeuer': George Waterhouse's 1,163 canons on the plainsong Miserere

Collins, D. (2007). 'Sufficient to quench the thirst of the most insaciate scholler whatsoeuer': George Waterhouse's 1,163 canons on the plainsong Miserere. Canons and Canonic Techniques, 14th-16th Centuries, Katholieke Universiteit, Leuven, 4-6 October, 2005. Leuven, Belgium: Peeters.

Compositional strategies in sixteenth-century three- and four-part canons

Collins, Denis (2004). Compositional strategies in sixteenth-century three- and four-part canons. International Congress of the Musicological Society of Japan (IMJ 2002): Musicology and Globalisation, Shizuoka, Japan, 2-5 November 2002. Tokyo, Japan: Musicological Society of Japan.

Metric space as a cognitive-structural model of musical pitch

Collins, D. B. and Pavlovic, B. (2002). Metric space as a cognitive-structural model of musical pitch. 7th International Conference on Music Perception and Cognition, Sydney, 17-21 July 2002. Adelaide: Causal Productions.

Counterpoint

Collins, Denis (2013). Counterpoint.