Head,School of Languages & Cultures
Senate Members
Overview
Professor Greg Hainge's research interests are primarily in the areas of twentieth-centry French literature, Film Studies, Sound Studies (including noise) and Critical Theory.
He is Professor of French and Head of the School of Languages and Cultures at the University of Queensland, a Fellow of the Australian Academy of the Humanities and a Senior Fellow of the Higher Education Academy.
Greg's most recent monograph is on the French filmmaker Philippe Grandrieux (Bloomsbury Academic, 2017) and is published in a new series entitled "ex:centrics" that Greg edits with Paul Hegarty from the University of Nottingham. Philippe Grandrieux is one of cinema's only living true radicals and feted as one of the most innovative and important film makers of his generation. His consistently controversial work remains, however, relatively unknown outside of the international art film festival circuit. This volume is the first book-length study of the work of Grandrieux in any language and provides an overview and critical analysis of Grandrieux's entire career during which he has produced works for television, video installations, photography, performance pieces, documentary films, short films and prize-winning feature films. As well as providing an overview, the book argues that a critical appraisal of his work necessarily leads us to problematize many of the critical orthodoxies that have been formed in recent times, to reject the concept of a haptic cinema and to supplant this instead with the idea of a sonic cinema.
Greg is also the author of a monograph entitled Noise Matters: Towards an Ontology of Noise (New York: Bloomsbury Academic, 2013). In this work, Greg proposes a radical and controversial rethink of the concept of noise. Distancing himself from the critical orthodoxies forming in the burgeoning field of noise studies, he argues that noise is not merely unpleasant or loud sound but, rather, indicative of the way in which being is expressed in a relational ontology. This approach takes noise far outside of the realm of the sonic and accordingly new reading are proposed of the films of David Lynch, the photography of Thomas Ruff and the music of Merzbow through a critical framework that draws on the work of Deleuze and Guattari, Michel Serres, Julia Kristeva, Jean-Paul Sartre, Pierre Schaeffer and many more besides.
Greg is one of the world's foremost scholars on the works of Louis-Ferdinand Céline and has published a monographs which interfaces the later works of this most infamous of French authors with the poststructuralist philosophy of Deleuze and Guattari.
In addition, he has published widely in international journals, collected monographs and written catalogue essays for major international exhibitions, including ‘David Lynch: Between Two Worlds’ at the Gallery of Modern Art, Queensland and 'Audiosphere' held at the Reina Sofia National Museum in Madrid.
Greg is editor in chief of Culture, Theory and Critique and serves on the editorial boards of Contemporary French Civilization, Études Céliniennes, Corps: Revue Interdisciplinaire and French Screen Studies.
Research Interests
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Sound studies.
Special emphasis on noise, including its philosophical dimensions. -
French cinema.
Special emphasis on new extreme cinema: Noe, Grandrieux, Denis, de Van, etc. -
20th Century French literature
Special emphasis on Celine. -
Popular and experimental music.
Special emphasis on Radiohead, Bjork, musique concrete, noise music, glitch. -
American independent cinema
Special emphasis on the Coen Brothers, David Lynch. -
Photography
Special emphasis on Bill Henson, Alexa Wright, Thomas Ruff, Antoine d'Agata. - Cultural Studies.
Research Impacts
Greg Hainge's work is essentially a critical engagement into the ways in which we understand the world. His works aims to find new points of entry into cultural objects and texts, to understand differently, for instance, the relations between the cinema and its spectator, or touch screen technologies and their users, photographs and their viewers, music and its listeners, etc. Aiming to strip away the assumptions of common sense apprehensions of the world, he seeks innovative ways to engage with cultural expressions that refuse simply to "represent" our world and instead seek to make us see it in a new light. This ability to develop our critical capacity has never been more important than at the present time, and it is for this reason that Greg has increasingly turned his focus towards publications aimed at a general public.
Qualifications
- Graduate Certificate in Executive Leadership, The University of Queensland
- Doctor of Philosophy, University of Nottingham
- Master in Arts, University of Nottingham
- Bachelor of Arts, University of Nottingham
Publications
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Book Chapter: When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverse
Hainge, Greg (2020). When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverse. Transmedia directors: artistry, industry and new audiovisual aesthetics. (pp. 271-284) edited by Carol Vernallis, Holly Rogers and Lisa Perrott. New York, United States: Bloomsbury Academic. doi: 10.5040/9781501339295.0028
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Journal Article: Blanchot and the resonant spaces of literature, sound, art and thought
Hainge, Greg (2018). Blanchot and the resonant spaces of literature, sound, art and thought. Angelaki, 23 (3), 94-111. doi: 10.1080/0969725x.2018.1473931
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Book: Philippe Grandrieux: sonic cinema
Hainge, Greg (2017). Philippe Grandrieux: sonic cinema. London: Bloomsbury Academic.
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Other Outputs: Neither here nor there: Lynch dissolves
Hainge, Greg (2015). Neither here nor there: Lynch dissolves. David Lynch: between two worlds. (pp. 31-44) Brisbane, Australia: Queensland Art Gallery/Gallery of Modern Art.
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Journal Article: Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by
Hainge, Greg (2014). Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by. Australian Journal of French Studies, 51 (2-3), 234-249. doi: 10.3828/AJFS.2014.19
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Book: Noise matters: Towards an ontology of noise
Hainge, Greg (2013). Noise matters: Towards an ontology of noise. New York, United States: Bloomsbury Academic.
Grants
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The cultural impact of biotechnologies: Critical and creative perspectives
(2012–2013) UWA-UQ Bilateral Research Collaboration Award
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(2008–2010) UQ Teaching & Learning Strategic Grants
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(2006) UQ Early Career Researcher
Supervision
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The pictorial and the work of S. Corinna Bille: an intermedial reading.
Doctor Philosophy
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The Void Lasts a Long Time
Doctor Philosophy
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(2021) Doctor Philosophy
Publications
Featured Publications
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When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverse
Hainge, Greg (2020). When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverse. Transmedia directors: artistry, industry and new audiovisual aesthetics. (pp. 271-284) edited by Carol Vernallis, Holly Rogers and Lisa Perrott. New York, United States: Bloomsbury Academic. doi: 10.5040/9781501339295.0028
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Blanchot and the resonant spaces of literature, sound, art and thought
Hainge, Greg (2018). Blanchot and the resonant spaces of literature, sound, art and thought. Angelaki, 23 (3), 94-111. doi: 10.1080/0969725x.2018.1473931
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Philippe Grandrieux: sonic cinema
Hainge, Greg (2017). Philippe Grandrieux: sonic cinema. London: Bloomsbury Academic.
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Neither here nor there: Lynch dissolves
Hainge, Greg (2015). Neither here nor there: Lynch dissolves. David Lynch: between two worlds. (pp. 31-44) Brisbane, Australia: Queensland Art Gallery/Gallery of Modern Art.
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Hainge, Greg (2014). Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by. Australian Journal of French Studies, 51 (2-3), 234-249. doi: 10.3828/AJFS.2014.19
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Noise matters: Towards an ontology of noise
Hainge, Greg (2013). Noise matters: Towards an ontology of noise. New York, United States: Bloomsbury Academic.
Book
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Philippe Grandrieux: sonic cinema
Hainge, Greg (2017). Philippe Grandrieux: sonic cinema. London: Bloomsbury Academic.
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Noise matters: Towards an ontology of noise
Hainge, Greg (2013). Noise matters: Towards an ontology of noise. New York, United States: Bloomsbury Academic.
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Capitalism and schizophrenia in the later novels of Louis-Ferdinand Céline : D'un ... l'autre
Hainge, Greg (2001). Capitalism and schizophrenia in the later novels of Louis-Ferdinand Céline : D'un ... l'autre. New York, United States: Peter Lang Publishing.
Book Chapter
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Hainge, Greg (2021). Sound is silence. The Oxford handbook of sound art. (pp. 255-271) edited by Jane Grant, John Matthias and David Prior. Oxford, United Kingdom: Oxford University Press. doi: 10.1093/oxfordhb/9780190274054.013.20
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The uncanny hinterland of things: on Chambers’s An atmospherics of the city and speculative realism
Hainge, Greg (2020). The uncanny hinterland of things: on Chambers’s An atmospherics of the city and speculative realism. Still loitering: Australian essays in honour of Ross Chambers. (pp. 83-97) edited by Valentina Gosetti and Alistair Rolls. Oxford, United Kingdom: Peter Lang.
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When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverse
Hainge, Greg (2020). When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverse. Transmedia directors: artistry, industry and new audiovisual aesthetics. (pp. 271-284) edited by Carol Vernallis, Holly Rogers and Lisa Perrott. New York, United States: Bloomsbury Academic. doi: 10.5040/9781501339295.0028
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Material music: speculations on non-human agency in music
Hainge, Greg (2016). Material music: speculations on non-human agency in music. Music's immanent future: the Deleuzian turn in music studies. (pp. 207-217) edited by Sally Macarthur, Judy Lochhead and Jennifer Shaw. Abingdon, Oxon, United Kingdom: Routledge.
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Hainge, Greg (2015). L'art (immersif) des bruits. Le corps du Rock et arts immersifs. (pp. 151-161) edited by Luc Robene and Philippe Liotard. Paris, France: CNRS (Centre National de la Recherche Scientifique) Éditions. doi: 10.3917/corp1.013.0151
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Unlocking the cage with/in the key of silence
Hainge, Greg (2012). Unlocking the cage with/in the key of silence. Dead silence. (pp. 53-55) edited by Lawrence English. Brisbane, Australia: Room 40.
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Red velvet : Lynch's cinemat(ograph)ic ontology
Hainge, Greg (2010). Red velvet : Lynch's cinemat(ograph)ic ontology. David Lynch in theory. (pp. 24-39) edited by Glezon, Francois-Xavier. Prague, Czech Republic: Litteraria Pragensia Books.
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Hainge, Greg (2009). No sympathy for the devil, or, Lobby Music: Spaces of disjunction in Barton Fink, The Shining and Muzak. Moving Pictures/Stopping Places. Hotels and Motels on Film. (pp. 255-276) edited by Clarke, David B., Crawford Pfannhauser, Valerie and Doel, Marcus A.. Plymouth, UK: Lexington Books.
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L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopias
Hainge, Greg (2008). L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopias. Nowhere is perfect: French and Francophone utopias/dystopias. (pp. 228-239) edited by John West-Sooby. Newark, DE, United States: University of Delaware Press.
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Hainge, G. (2006). Interdisciplinarity in rhizome minor: on avoiding rigor mortis through a rigorous approach to jazz, metal, wasps, orchids and other strange couplings. Rhizomes: connecting languages, cultures and literatures. (pp. 2-12) edited by Ramière, N. and Varshney, R.. Newcastle, UK: Cambridge Scholars Publishing.
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Hainge, Greg. (2005). Allegorical Geographies: Topographical Transposition and Allegorical Function in Louis-Ferdinand Céline’s Aesthetic Spaces. Discursive Geographies: Writing space and place in French. (pp. 25-38) edited by Jeanne Garane. Amsterdam, Netherlands: Rodopi.
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To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings and Mainstream Subversion
Hainge, Greg (2005). To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings and Mainstream Subversion. Strobe-Lights and Blown Speakers: The Music and Art of Radiohead. (pp. 62-84) edited by J. Tate. Aldershot: Ashgate Publishers.
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Hainge, Greg (2004). Is Pop Music?. Deleuze and Music. (pp. 36-53) edited by I. Buchanan and M. Swiboda. Edinburgh: Edinburgh University Press.
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Hainge, Greg (2004). The Death of Education, a Sad Tale: Of Anti-Pragmatic Pragmatics and the Loss of the Absolute in Australian Tertiary Education. Innovation and Tradition: Arts, Humanities and the Knowledge Economy. (pp. 35-45) edited by Kenway, Jane, Bullen, Elizabeth and Robb, Simon. New York: Peter Lang.
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Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highway’s Aesthetics of Sensation
Hainge, Greg (2004). Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highway’s Aesthetics of Sensation. The Cinema of David Lynch: American Dreams, Nightmare Visions. (pp. 136-150) edited by Annette Davison and Erica Sheen. London: Wallflower Press.
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Hainge, Greg (2001). Le fol amour du Dr Destouches, ou comment j'ai appris à ne plus m'en faire et à lire les pamphlets: Louis-Ferdinand Céline et Stanley Kubrick. Actualité de Céline. (pp. 143-158) Tusson: Du Lérot.
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When the End is the Means; Becoming-Music
Hainge, Greg (1999). When the End is the Means; Becoming-Music. Louis-Ferdinand Céline’s German Trilogy’, Dialogues, 2. (pp. 77-83) edited by Amherst, Ann and Astbury , Katherine. Exeter: Elmbank Publications.
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Quand je ne peut être autre; Féerie pour une autre fois de Louis-Ferdinand Céline
Hainge, Greg (1995). Quand je ne peut être autre; Féerie pour une autre fois de Louis-Ferdinand Céline. Le Moi littéraire. (pp. 85-93) edited by Russell King and Essais sur la Littérature Française et Francophone, 1. Nottingham: University of Nottingham, Department of French.
Journal Article
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Rapt in (destructive) plasticity: Demonlover and the annihilation of cinematic form
Hainge, Greg (2021). Rapt in (destructive) plasticity: Demonlover and the annihilation of cinematic form. French Screen Studies, 23 (1), 1-15. doi: 10.1080/26438941.2021.1935561
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“Un film français et fier de l’être”: Gaspar Noé’s Climax in Context
Hainge, Greg (2021). “Un film français et fier de l’être”: Gaspar Noé’s Climax in Context. Australian Journal of French Studies, 58 (1), 100-116. doi: 10.3828/ajfs.2021.09
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Immediacy, causality, plasticity: Catherine Malabou and the future undoing of philosophy
Hainge, Greg and Iveson, Richard (2020). Immediacy, causality, plasticity: Catherine Malabou and the future undoing of philosophy. Culture, Theory and Critique, 61 (1), 1-3. doi: 10.1080/14735784.2020.1815359
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Delirium, Disruption and Death: On Stéphane Vanderhaeghe’s Charøgnards (Quidam éditeur, 2015)
Hainge, Greg (2020). Delirium, Disruption and Death: On Stéphane Vanderhaeghe’s Charøgnards (Quidam éditeur, 2015). Electronic Book Review doi: 10.7273/vvqz-8173
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Blanchot and the resonant spaces of literature, sound, art and thought
Hainge, Greg (2018). Blanchot and the resonant spaces of literature, sound, art and thought. Angelaki, 23 (3), 94-111. doi: 10.1080/0969725x.2018.1473931
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Review of Tim Palmer, Irreversible. New York: Palgrave, 2015
Hainge, Greg (2017). Review of Tim Palmer, Irreversible. New York: Palgrave, 2015. H-France Review, 17 (100), 1-3.
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Hainge, Greg (2016). Adapted voices: transpositions of Céline’s ‘Voyage au bout de la nuit’ and Queneau’s ‘Zazie dans le métro’. By Armelle Blin-Rolland.. French Studies, 70 (4), 617-617. doi: 10.1093/fs/knw184
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Art matters: philosophy, art history and art’s material presence
Hainge, Greg (2016). Art matters: philosophy, art history and art’s material presence. Culture, Theory and Critique, 57 (2), 137-141. doi: 10.1080/14735784.2016.1161903
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A letter of thanks to a man of letters: Mark Millington and Culture, Theory and Critique
Hainge, Greg and Simons, Jon (2015). A letter of thanks to a man of letters: Mark Millington and Culture, Theory and Critique. Culture, Theory and Critique, 56 (3), 263-265. doi: 10.1080/14735784.2015.1070977
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Cadrage exquis: Reframing Jean-Jacques Beineix's Diva
Hainge, Greg (2015). Cadrage exquis: Reframing Jean-Jacques Beineix's Diva. Australian Journal of French Studies, 52 (2), 112-126. doi: 10.3828/ajfs.2015.10
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Hainge, Greg (2015). Review: Benjamin Thomas (ed.) (2012) Tourner le dos: Sur l’envers du personnage au cinema, Saint-Denis: Presses Universitaires de Vincennes.. Film-Philosophy, 19, 115-117.
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Blue movies: Diva, The Smurfs 2 and the ontology of cinema
Hainge, Greg (2014). Blue movies: Diva, The Smurfs 2 and the ontology of cinema. Sight and Sound
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Jonathan Ervine, cinema and the Republic: filming on the margins in contemporary France
Hainge, Greg (2014). Jonathan Ervine, cinema and the Republic: filming on the margins in contemporary France. H-France Review, 14 (148), 1-4.
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David Novak. Japanoise: Music at the Edge of Circulation
Hainge, Greg (2014). David Novak. Japanoise: Music at the Edge of Circulation. Asian Studies Review, 38 (2), 309-310. doi: 10.1080/10357823.2014.902738
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Powrie, Phil, Austin, Guy, Conway, Kelley, Dobson, Julia, Hainge, Greg, Higbee, Will, Leahy, Sarah and Martin, Florence (2014). Editorial. Studies in French Cinema, 14 (1), 1-4. doi: 10.1080/14715880.2014.891373
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Wright, Alexa, Monstrosity: The Human Monster in Visual Culture
Hainge, Greg (2014). Wright, Alexa, Monstrosity: The Human Monster in Visual Culture. Somatechnics, 4 (1), 185-187. doi: 10.3366/soma.2014.0119
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Guerre et exil chez Louis-Ferdinand Céline: Ana Maria Alves
Hainge, Greg (2014). Guerre et exil chez Louis-Ferdinand Céline: Ana Maria Alves. Modern and Contemporary France, 22 (2), 253-254. doi: 10.1080/09639489.2013.870144
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The larrikin as hero (in French Studies)
Hainge, Greg and Rolls, Alistair (2014). The larrikin as hero (in French Studies). Australian Journal of French Studies, 51 (2-3), 269-280. doi: 10.3828/AJFS.2014.21
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Hainge, Greg (2014). Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by. Australian Journal of French Studies, 51 (2-3), 234-249. doi: 10.3828/AJFS.2014.19
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Metacritique in the eighth circle of hell
Hainge, Greg (2013). Metacritique in the eighth circle of hell. Symploke, 21 (1-2), 341-345. doi: 10.1353/sym.2013.0024
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Hainge, Greg (2012). To have done with the perspective of the (biological) body: Gaspar Noe´’s Enter the Void, somatic film theory and the biocinematic imaginary. Somatechnics, 2 (2), 305-324. doi: 10.3366/soma.2012.0063
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Hainge, Greg (2012). A full face bright red money shot: Incision, wounding and film spectatorship in Marina de Van's Dans ma peau. Continuum: Journal of Media and Cultural Studies, 26 (4), 565-577. doi: 10.1080/10304312.2012.698036
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Hainge, Greg (2012). Celine Chez les fils de la Perfide Albion: Les etudes Celiniennes dans le contexte Universitaire Anglophone depuis 1961. Études Céliniennes, 7, 5-19.
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Formulating God: The ongoing place of theology in the philosophy of Gilles Deleuze
Hainge, Greg and Cullen, Jason (2011). Formulating God: The ongoing place of theology in the philosophy of Gilles Deleuze. Culture, Theory and Critique, 52 (2-3), 303-319. doi: 10.1080/14735784.2011.630888
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Pratt, Murray, Stephens, Elizabeth, Rolls, Alistair, Hardwick, Joe and Hainge, Greg (2011). Larry Schehr. Australian Journal of French Studies, 48 (3), 348-352. doi: 10.3828/ajfs.48.3.348
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Tekhne, technique, technologie
Hainge, Greg, De Nooy, Juliana and Hanna, Barbara E. (2011). Tekhne, technique, technologie. Australian Journal of French Studies, 48 (2), 121-128. doi: 10.3828/AJFS.48.2.121
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Une voix déplacée: La ventriloquie chez Céline ou pour en finir avec le jugement historique
Hainge, Greg (2010). Une voix déplacée: La ventriloquie chez Céline ou pour en finir avec le jugement historique. Études Céliniennes, 5 (Hiver 2009-2010), 71-94.
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Airport music: Muzak, 'Non-lieux' and film sound in Stéphanik's Stand-by and Lioret's Tombés du ciel
Hainge, Greg (2009). Airport music: Muzak, 'Non-lieux' and film sound in Stéphanik's Stand-by and Lioret's Tombés du ciel. Studies in French Cinema, 9 (3), 201-214. doi: 10.1386/sfc.9.3.201/1
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A tale of (at least) two Hiroshimas: Nobuhiro Suwa's H Story and Alain Resnais's Hiroshima Mon Amour
Hainge, Greg (2008). A tale of (at least) two Hiroshimas: Nobuhiro Suwa's H Story and Alain Resnais's Hiroshima Mon Amour. Contemporary French Civilization, 32 (2), 147-174. doi: 10.3828/cfc.2008.8
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The unbearable blandness of Being: The everyday and Muzak in Barton Fink and Fargo
Hainge, G. (2008). The unbearable blandness of Being: The everyday and Muzak in Barton Fink and Fargo. Post Script: Essays in Film and the Humanities, 27 (2), 38-47.
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Hainge, G. (2008). Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by. Australian Journal of French Studies, 45 (3), 197-211. doi: 10.3828/AJFS.45.3.197
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Unfixing the photographic image: Photography, indexicality, fidelity and normativity
Hainge, G. (2008). Unfixing the photographic image: Photography, indexicality, fidelity and normativity. Continuum: Journal of Media & Cultural Studies, 22 (5), 715-730. doi: 10.1080/10304310802311659
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Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema
Hainge, Greg (2007). Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema. Australian Journal of French Studies, 44 (2), 153-171. doi: 10.3828/AJFS.44.2.153
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Hainge, Greg (2007). Of glitch and men: The place of the human in the successful integration of failure and noise in the digital realm. Communication Theory, 17 (1), 26-42. doi: 10.1111/j.1468-2885.2007.00286.x
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The architect’s scalpel: The monstrous digital futures of Alexa Wright’s Precious
Hainge, G. (2007). The architect’s scalpel: The monstrous digital futures of Alexa Wright’s Precious. Social Semiotics, 17 (3), 327-340. doi: 10.1080/10350330701448652
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Hainge, Greg (2007). Vinyl is dead, long live vinyl: the work of recording and mourning in the age of digital reproduction. Culture Machine, 9, 1-23.
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Review of Formless: Ways In and Out of Form by P. Crowley & P. Hegarty (eds)
Hainge, Greg. (2006). Review of Formless: Ways In and Out of Form by P. Crowley & P. Hegarty (eds). Carnet Austral, 25, 33-34.
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Review of Le Grand Transit Moderne: Mobility, Modernity and French Naturalist Fiction by L. Duffy
Hainge, G. (2006). Review of Le Grand Transit Moderne: Mobility, Modernity and French Naturalist Fiction by L. Duffy. Carnet Austral, 24, 12-14.
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Tempest in another time: Shakespeare, Greenaway, Céline
Hainge, Greg. (2006). Tempest in another time: Shakespeare, Greenaway, Céline. Romanic Review, 97 (1), 15-32. doi: 10.1215/26885220-97.1.15
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Carax and the ambiguities - a book that needs to fail, perhaps: on Daly and Dowd's Leos Carax
Hainge, Greg (2005). Carax and the ambiguities - a book that needs to fail, perhaps: on Daly and Dowd's Leos Carax. Film-Philosophy, 9 (4).
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No(i)stalgia: On the impossibility of recognising noise in the present
Hainge, Greg (2005). No(i)stalgia: On the impossibility of recognising noise in the present. Culture, Theory and Critique, 46 (1), 1-10. doi: 10.1080/14735780500102348
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Surmodernites: Entre reve et technique
Hainge, Greg (2005). Surmodernites: Entre reve et technique. Contemporary French Civilization, 29 (1), 174-177.
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Hainge, Greg (2005). The language of suffering: The place of pain in Louis-Ferdinand Céline's Féerie Pour Une Autre Fois I. L'Esprit Créateur, 45 (3), 18-28. doi: 10.1353/esp.2010.0339
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"Pagan poetry", piercing, pain and the politics of becoming
Hainge, Greg (2004). "Pagan poetry", piercing, pain and the politics of becoming. Scan: Journal of Media Arts Culture, 1 (3), 1-9.
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Come on Feel the Noise: Technology and its Dysfunctions in the Music of Sensation
Hainge, Greg (2004). Come on Feel the Noise: Technology and its Dysfunctions in the Music of Sensation. To The Quick (5), 42-58.
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Hainge, Greg (2004). The sound of time is not tick tock: the loop as a direct image of time in Noto's Endless Loop Edition (2) and the drone music of Phill Niblock. InVisible Culture, 1 (8).
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Hainge, Greg (2003). Frozen Music [Book Review]. Southern Review: Communication, Politics & Culture, 36 (2), 80-81.
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Hainge, Greg (2003). Le Prologue de Guignol’s band comme porte vers l'espace lisse, ou, chronique manquée d'une réussite à venir. Essays in French Literature, 40, 57-79.
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Seeing Silence: Filmic and Acoustic Convergences in the Work of Thierry Knauff and Francisco López
Hainge, Greg (2002). Seeing Silence: Filmic and Acoustic Convergences in the Work of Thierry Knauff and Francisco López. Culture, Theory and Critique, 43 (2), 155-170. doi: 10.1080/1473578022000038004
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Hainge, Greg (2002). In search of Frenchness lost? French Cinema in the 1990s: Continuity and Difference. Edited by Phil Powrie. Film-Philosophy, 6 (2).
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Platonic relations: the problem of the loop in contemporary electronic music
Hainge, Greg (2002). Platonic relations: the problem of the loop in contemporary electronic music. M/C: A Journal of Media and Culture, 5 (4)
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Hainge, Greg (2002). A Taste for the Decadent. Review of Agnès Hafez-Ergaut 'Le vertige du vide: Huysmans, Céline, Sartre. Lewiston, Queenston, Lampeter: The Edwin Mellen Press, 2000.. Southern Review: Communication, Politics & Culture, 35 (1), 139-141.
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A whisper or a scream? experimental music sounds a warning for the future of theory
Hainge, Greg (2002). A whisper or a scream? experimental music sounds a warning for the future of theory. Continuum: Journal of Media and Cultural Studies, 16 (3), 285-298. doi: 10.1080/1030431022000018654
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Celine: from one end to the other
Hainge, G. (2001). Celine: from one end to the other. French Studies, 55 (4), 566-567. doi: 10.1093/fs/55.4.566-a
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Hainge, Greg (2001). Impossible narratives: Colonial spaces of dissolution in Voyage au bout de la nuit and To have and to hold. Australian Journal of French Studies, 38 (2), 253-271. doi: 10.3828/AJFS.38.2.253
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The art of automythography: The role of myth in Louis-Ferdinand Céline’s German trilogy
Hainge, Greg (2001). The art of automythography: The role of myth in Louis-Ferdinand Céline’s German trilogy. New Comparison, 32, 53-65.
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Hainge, Greg (1999). Introduction. Renaissance and Modern Studies, 42 (1), 1-4. doi: 10.1080/14735789909391485
Conference Publication
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Hainge, Greg (2001). L'insoutenable pesanteur de l'être et l'esthétique imperceptible: l'épisode de la brique dans Rigodon, Pesanteur et légèreté selon Céline. XIIIe colloque international Louis-Ferdinand Céline, Prague, 2001. Paris: Société d'Études Céliniennes.
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Céline: classique anti-classique
Hainge, Greg (1999). Céline: classique anti-classique. Classicisme de Céline; Actes du XIIe colloque international Louis-Ferdinand Céline pp.155-167, Paris, 1999. Paris: Société d’Études Céliniennes.
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Hainge, Greg (1996). The Atomic Construction of Pablo Neruda’s Littérature Engagée: The Dialectical Poetics of Canto general. 4th Hispanic Studies Postgraduate Conference, London, 1996. London: Embajada de España, Consejería de Educación y Ciencia.
Edited Outputs
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Culture, Theory and Critique. (2016). 57 (2)
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Culture, Theory and Critique: Special Issue: Mimesis and Culture
Culture, Theory and Critique: Special Issue: Mimesis and Culture. (2013). 54 (2)
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Culture, Theory and Critique: Special Issue: The God Who Would Not Die: Theological Remnants and Traces of a Hidden God in Twentieth Century French Thought. (2011). 52 (2-3)
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Culture, Theory and Critique. (2011). 52 (2-3)
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Culture, Theory and Critique: Special Issue: The Politics of Nothing: Sovereignty and Modernity
Culture, Theory and Critique: Special Issue: The Politics of Nothing: Sovereignty and Modernity. (2010). 51 (2)
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Culture, Theory and Critique. (2010). 51 (2)
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Culture, Theory and Critique. (2008). 49 (1)
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Culture, Theory and Critique: Special Issue: The Histor(icit)y of Theory
Culture, Theory and Critique: Special Issue: The Histor(icit)y of Theory. (2008). 49 (1)
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Culture Theory and Critique. (2006). 47 (2)
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Culture, Theory and Critique. (2005). 46 (1)
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Renaissance and Modern Studies
Renaissance and Modern Studies. (1999). 42 (Facism and Aesthetics)
Other Outputs
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Painting with numbers: the fine art of digital chronophotography
Hainge, Greg (2021). Painting with numbers: the fine art of digital chronophotography. Sleep has her house . (pp. 31-42) edited by Scott Barley. London, United Kingdom: Scott Barley.
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Anti Social Media Social Music
Hainge, Greg (2020). Anti Social Media Social Music. Audiosphere. (pp. 129-137) edited by Francisco López. Madrid, Spain: Museo Nacional Centro de Arte Reina Sofia.
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‘Paris Attacks: Let Beauty and Culture Strengthen our Resolve’
Hainge, Greg (2015, 11 25). ‘Paris Attacks: Let Beauty and Culture Strengthen our Resolve’ The Australian 33-33.
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Neither here nor there: Lynch dissolves
Hainge, Greg (2015). Neither here nor there: Lynch dissolves. David Lynch: between two worlds. (pp. 31-44) Brisbane, Australia: Queensland Art Gallery/Gallery of Modern Art.
Grants (Administered at UQ)
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The cultural impact of biotechnologies: Critical and creative perspectives
(2012–2013) UWA-UQ Bilateral Research Collaboration Award
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(2008–2010) UQ Teaching & Learning Strategic Grants
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(2006) UQ Early Career Researcher
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(2005–2006) UQ New Staff Research Start-Up Fund
PhD and MPhil Supervision
Current Supervision
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The pictorial and the work of S. Corinna Bille: an intermedial reading.
Doctor Philosophy — Principal Advisor
Other advisors:
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The Void Lasts a Long Time
Doctor Philosophy — Principal Advisor
Completed Supervision
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(2021) Doctor Philosophy — Principal Advisor
Other advisors:
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Solutions to the problems of western civilisation in the novels of Michel Houellebecq
(2017) Doctor Philosophy — Principal Advisor
Other advisors:
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(2010) Doctor Philosophy — Principal Advisor
Other advisors:
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Music in the Italian Futurist Movement: A Re-Examination of its Role and Functions
(2020) Doctor Philosophy — Associate Advisor
Other advisors:
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Profoundly Disturbing: The Aesthetics of Violence and the Everyday in European Art Cinema
(2014) Doctor Philosophy — Associate Advisor
Other advisors:
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The Wounds of Indetermination: Deleuze, Cinema and Ethology.
(2014) Doctor Philosophy — Associate Advisor
Other advisors:
