The University of Queensland

Building a Profile of Australian Parents’ Musical Beliefs, Values, and Practices

Abad, Vicky, Broughton, Mary C., Barrett, Margaret S. and Welch, Graham F. (2023). Building a Profile of Australian Parents’ Musical Beliefs, Values, and Practices. The Oxford Handbook of Early Childhood Learning and Development in Music. (pp. 266-296) Oxford, United Kingdom: Oxford University Press. doi: 10.1093/oxfordhb/9780190927523.013.18

Section Introduction: Perspectives on Music Development Introduction

Broughton, Mary C. and Costa-Giomi, Eugenia (2023). Section Introduction: Perspectives on Music Development Introduction. The Oxford Handbook of Early Childhood Learning and Development in Music. (pp. 147-148) edited by Margaret S. Barrett and Graham F. Welch. Oxford, United Kingdom: Oxford University Press. doi: 10.1093/oxfordhb/9780190927523.001.0001

Body movement

Davidson, Jane W. and Broughton, Mary C. (2022). Body movement. The Oxford handbook of music performance: development and learning, proficiencies, performance practices, and psychology. (pp. 294-324) edited by Gary E. McPherson. Oxford, United Kingdom: Oxford University Press. doi: 10.1093/oxfordhb/9780190056285.013.15

Music and dance

Broughton, Mary C. (2021). Music and dance. The science and psychology of music: from Beethoven at the office to Beyoncé at the gym. (pp. 278-284) edited by William Forde Thompson and Kirk Olsen. Santa Barbara, CA United States: ABC-CLIO.

Bodily mediated coordination, collaboration, and communication in music performance

Davidson, Jane W. and Broughton, Mary C. (2016). Bodily mediated coordination, collaboration, and communication in music performance. The Oxford Handbook of Music Psychology. (pp. 573-595) edited by Susan Hallam, Ian Cross and Michael Thaut. Oxford, United Kingdom: Oxford University Press. doi: 10.1093/oxfordhb/9780198722946.013.35

Emotional responses to music: the essential inclusion of emotion adaptability and situational context

Susino, Marco, Thompson, William Forde, Schubert, Emery and Broughton, Mary (2024). Emotional responses to music: the essential inclusion of emotion adaptability and situational context. Empirical Studies of the Arts. doi: 10.1177/02762374241237683

How do music activities affect health and well-being? A scoping review of studies examining psychosocial mechanisms

Dingle, Genevieve A., Sharman, Leah S., Bauer, Zoe, Beckman, Emma, Broughton, Mary, Bunzli, Emma, Davidson, Robert, Draper, Grace, Fairley, Sheranne, Farrell, Callyn, Flynn, Libby Maree, Gomersall, Sjaan, Hong, Mengxun, Larwood, Joel, Lee, Chiying, Lee, Jennifer, Nitschinsk, Lewis, Peluso, Natalie, Reedman, Sarah Elizabeth, Vidas, Dianna, Walter, Zoe C. and Wright, Olivia Renee Louise (2021). How do music activities affect health and well-being? A scoping review of studies examining psychosocial mechanisms. Frontiers in Psychology, 12 713818, 713818. doi: 10.3389/fpsyg.2021.713818

Affective and cognitive responses to musical performances of early 20th century classical solo piano compositions: the influence of musical expertise and audio-visual perception

Broughton, Mary C., Dimmick, Jessie and Dean, Roger T. (2021). Affective and cognitive responses to musical performances of early 20th century classical solo piano compositions: the influence of musical expertise and audio-visual perception. Music Perception, 38 (3), 245-266. doi: 10.1525/MP.2021.38.3.245

Promoting wellbeing and health through active participation in music and dance: a systematic review

Sheppard, Alexa and Broughton, Mary C. (2020). Promoting wellbeing and health through active participation in music and dance: a systematic review. International Journal of Qualitative Studies on Health and Well-Being, 15 (1) 1732526, 1732526. doi: 10.1080/17482631.2020.1732526

Continuous self-report engagement responses to the live performance of an atonal, post-serialist solo marimba work

Broughton, Mary C., Schubert, Emery, Harvey, Dominic G. and Sevens, Catherine J. (2019). Continuous self-report engagement responses to the live performance of an atonal, post-serialist solo marimba work. Psychology of Music, 47 (1), 109-131. doi: 10.1177/0305735617736378

The effect of social feedback and social context on subjective affective responses to music

Koehler, Katelyn and Broughton, Mary C. (2017). The effect of social feedback and social context on subjective affective responses to music. Musicae Scientiae, 21 (4), 479-498. doi: 10.1177/1029864916670700

An expressive bodily movement repertoire for Marimba performance, revealed through observers' Laban effort-shape analyses, and allied musical features: two case studies

Broughton, Mary C. and Davidson, Jane W. (2016). An expressive bodily movement repertoire for Marimba performance, revealed through observers' Laban effort-shape analyses, and allied musical features: two case studies. Frontiers in Psychology, 7 (AUG) 01211, 1211. doi: 10.3389/fpsyg.2016.01211

How Different Are Our Perceptions of Equal-Tempered and Microtonal Intervals? A Behavioural and EEG Survey

Bailes, Freya, Dean, Rogert T and Broughton, Mary C (2015). How Different Are Our Perceptions of Equal-Tempered and Microtonal Intervals? A Behavioural and EEG Survey. PLoS One, 10 (8) e0135082, e0135082. doi: 10.1371/journal.pone.0135082

Indicators of music performance anxiety in nonverbal behaviors: a case report of a classical vocal soloist

Broughton, Mary C. (2015). Indicators of music performance anxiety in nonverbal behaviors: a case report of a classical vocal soloist. Journal of Psychology and Psychotherapy, 5 (2), 1000176.1-1000176.5. doi: 10.4172/2161-0487.1000176

Associations between early shared music activities in the home andlater child outcomes: findings from the Longitudinal Study of Australian Children

Williams, Kate E., Barrett, Margaret S., Welch, Graham F., Abad, Vicky and Broughton, Mary (2015). Associations between early shared music activities in the home andlater child outcomes: findings from the Longitudinal Study of Australian Children. Early Childhood Research Quarterly, 31 (2), 113-124. doi: 10.1016/j.ecresq.2015.01.004

Action and familiarity effects on self and other expert musicians’ Laban effort-shape analyses of expressive bodily behaviors in instrumental music performance: a case study approach

Broughton, Mary C. and Davidson, Jane W. (2014). Action and familiarity effects on self and other expert musicians’ Laban effort-shape analyses of expressive bodily behaviors in instrumental music performance: a case study approach. Frontiers in Psychology, 5, 1201.1-1201.18. doi: 10.3389/fpsyg.2014.01201

Importance of the inverted control in measuring holistic face processing with the composite effect and part-whole effect

McKone, Elinor, Davies, Anne Aimoia, Darke, Hayley, Crookes, Kate, Wickramariyaratne, Tushara, Zappia, Stephanie, Fiorentini, Chiara, Favelle, Simone, Broughton, Mary and Fernando, Dinusha (2013). Importance of the inverted control in measuring holistic face processing with the composite effect and part-whole effect. Frontiers in Psychology, 4 (FEB) 33. doi: 10.3389/fpsyg.2013.00033

A robust method of measuring other-race and other-ethnicity effects: the Cambridge Face Memory Test format

McKone, Elinor, Stokes, Sacha, Liu, Jia, Cohan, Sarah, Fiorentini, Chiara, Pidcock, Madeleine, Yovel, Galit, Broughton, Mary and Pelleg, Michel (2012). A robust method of measuring other-race and other-ethnicity effects: the Cambridge Face Memory Test format. PLoS ONE, 7 (10) e47956, e47956.1-e47956.6. doi: 10.1371/journal.pone.0047956

Analyzing expressive qualities in movement and stillness: Effort-shape analyses of solo marimbists' bodily expression

Broughton, Mary C. and Stevens, Catherine J. (2012). Analyzing expressive qualities in movement and stillness: Effort-shape analyses of solo marimbists' bodily expression. Music Perception, 29 (4), 339-357. doi: 10.1525/mp.2012.29.4.339

Music, movement and marimba: an investigation of the role of movement and gesture in communicating musical expression to an audience

Broughton, Mary and Stevens, Catherine (2009). Music, movement and marimba: an investigation of the role of movement and gesture in communicating musical expression to an audience. Psychology of Music, 37 (2), 137-153. doi: 10.1177/0305735608094511

Physical movement and imagery in professional and undergraduate student solo marimba practice

Broughton, Mary and Stevens, Catherine (2009). Physical movement and imagery in professional and undergraduate student solo marimba practice. International Symposium on Performance Science, Auckland, NZ, 15-18 December, 2009. Utrecht, Netherlands: Association Europeenne des Conservatories.

Continuous self-report of engagement to live solo marimba performance

Broughton, Mary, Stevens, Catherine and Schubert, Emery (2008). Continuous self-report of engagement to live solo marimba performance. ICMPC10: 10th International Conference on Music Perception and Cognition, Sapporo, Japan, 25-29 August, 2008. Hokkaido, Japan: Department of Psychology, Hokkaido University.

It's not just about sound: investigating marimba performance as an auditory and visual experience

Broughton, Mary C. and Stevens, Catherine J. (2007). It's not just about sound: investigating marimba performance as an auditory and visual experience. APPC 2007: 8th Australasian Piano Pedagogy Conference "Focus on Excellence: Questions and Answers", Canberra, ACT, Australia, 2-6 July, 2007. Carrum Downs, VIC, Australia: Australasian Piano Pedagogy Association.

Music, movement and marimba: an investigation of the role of movement and gesture in communicating musical expression to an audience

Broughton, Mary, Stevens, Kate and Malloch, Stephen (2006). Music, movement and marimba: an investigation of the role of movement and gesture in communicating musical expression to an audience. ICMPC2006: 9th International Conference on Music Perception and Cognition, Bologna, Italy, 22-26 August, 2006. Bologna, Italy: The Society for Music Perception & Cognition (SMPC) and European Society for the Cognitive Sciences of Music (ESCOM).

62nd Annual TV Week Logie Awards

Foreman, John, Broughton, Mary C., Christensen, M., Marshall, S., malcolm.bjc, Aitken, G., Calderbank, S., Carpenter, M., Johnson, A., Higgins, A. and Halliday, K. (2022). 62nd Annual TV Week Logie Awards. Gold Coast, QLD Australia: TV Week Logie Awards and Nine Network.

61st Annual TV Week Logie Awards

Foreman, John , Lim, Kai Chen , Broughton, Mary C. , Christensen, Matt , Marshall, Shannon , malcolm.bjc, Aitken, Greg , Calderbank, Shane , Loveland, Toby , Andrew J, Francis, Steve and Fitzpatrick, Loni (2019). 61st Annual TV Week Logie Awards. Gold Coast, Qld, Australia: TV Week Logie Awards and Nine Network.

Composers in Concert - A Dialogue: Audience research short report

Broughton, Mary C. (2018). Composers in Concert - A Dialogue: Audience research short report. Brisbane, Queensland: Broughton, M.C..

Action and Reaction ... Mark II

Broughton, Mary C., Harvey, Dominic G. and Gigante, Gabriella (2017). Action and Reaction ... Mark II. St Lucia QLD Australia: UQ School of Music.

Concert 2: The Canberra Times Opening Gala. Gold

Song Company, Canberra Camerata, Peelman, R., Broughton, M. C. and T’ang Quartet (2010). Concert 2: The Canberra Times Opening Gala. Gold. St. Christopher's Cathedral, Canberra, ACT, Australia: Canberra International Chamber Music Festival.

Canberra Symphony Orchestra 2010 Season Launch [recital]

Broughton, M. C. and Etherington, W. (2009). Canberra Symphony Orchestra 2010 Season Launch [recital]. Canberra, ACT, Australia: Canberra Symphony Orchestra.

Track 5. Prelude for marimba

Broughton, Mary and Hughes, G. (2009). Track 5. Prelude for marimba. Brisbane, QLD, Australia: Rhythmscape Publishing Australia.

Australian International Marimba Festival [invited solo recital and research presentor]

Broughton, Mary (2008). Australian International Marimba Festival [invited solo recital and research presentor]. Canberra, ACT, Australia: School of Music, Australian National University.

Prelude for marimba

Broughton, Mary (2007). Prelude for marimba. Brisbane, QLD, Australia: Rhythmscape Publishing Australia.

Track 8. The Cooper Construction (solo vibraphone performance); percussion ensemble performances on REVOLUTIONS [CD & DVD]

Broughton, Mary C. and Hughes, Gordon (2005). Track 8. The Cooper Construction (solo vibraphone performance); percussion ensemble performances on REVOLUTIONS [CD & DVD]. Brisbane, Queensland: Rhythmscape Publishing Australia.

Bang. Volume 1

Broughton, Mary (2004). Bang. Volume 1. Brisbane, QLD, Australia: Rhythmscape Publishing Australia.

Bang. Volume 2

Broughton, Mary (2004). Bang. Volume 2. Brisbane, QLD, Australia: Rhythmscape Publishing Australia.