The University of Queensland

A Companion to Motion Pictures and Public Value

Mette Hjort and Ted Nannicelli eds. (2022). A Companion to Motion Pictures and Public Value. Hoboken, NJ, United States: Wiley-Blackwell Publishing.

A Companion to Motion Pictures and Public Value

Hjort, Mette and Nannicelli, Ted (2022). A Companion to Motion Pictures and Public Value. wiley. doi: 10.1002/9781119677154

Cognition, emotion, and aesthetics in contemporary serial television

Ted Nannicelli and Héctor J. Pérez eds. (2022). Cognition, emotion, and aesthetics in contemporary serial television. Routledge advances in television studies, New York, NY, United States: Routledge. doi: 10.4324/9781003188643

Truth in visual media: aesthetics, ethics and politics

Marguerite La Caze and Ted Nannicelli eds. (2021). Truth in visual media: aesthetics, ethics and politics. Edinburgh, United Kingdom: Edinburgh University Press.

Artistic creation and ethical criticism

Nannicelli, Ted (2020). Artistic creation and ethical criticism. Oxford, United Kingdom: Oxford University Press. doi: 10.1093/oso/9780197507247.001.0001

Appreciating the art of television: a philosophical perspective

Nannicelli, Ted (2017). Appreciating the art of television: a philosophical perspective. New York, United States: Taylor and Francis. doi: 10.4324/9781315732633

Cognitive media theory

Ted Nannicelli and Paul Taberham eds. (2014). Cognitive media theory. AFI Film Readers, New York, NY, United States: Routledge. doi: 10.4324/9780203098226

A Philosophy of the screenplay

Nannicelli, Ted (2013). A Philosophy of the screenplay. New York: Routledge. doi: 10.4324/9780203069103

Clarifying Moral Understanding

Nannicelli, Ted (2023). Clarifying Moral Understanding. Screen Stories and Moral Understanding. (pp. 19-C1P82) Oxford University PressNew York. doi: 10.1093/oso/9780197665664.003.0002

Clarifying moral understanding

Nannicelli, Ted (2023). Clarifying moral understanding. Screen stories and moral understanding. (pp. 19-35) edited by Carl Plantinga. New York, NY, United States: Oxford University Press.

Relativism in ethical judgments of art

Nannicelli, Ted (2023). Relativism in ethical judgments of art. The Oxford handbook of ethics and art. (pp. 205-221) edited by James Harold. Oxford, United Kingdom: Oxford University Press.

Relativism and the Ethical Criticism of Art

Nannicelli, Ted (2023). Relativism and the Ethical Criticism of Art. The Oxford Handbook of Ethics and Art. (pp. 203-C14P145) Oxford University Press. doi: 10.1093/oxfordhb/9780197539798.013.14

A Companion to Motion Pictures and Public Value: General Introduction

Hjort, Mette and Nannicelli, Ted (2022). A Companion to Motion Pictures and Public Value: General Introduction. A Companion to Motion Pictures and Public Value. (pp. 1-21) edited by Mette Hjort and Ted Nannicelli. Hoboken, NJ, United States: Wiley-Blackwell Publishing.

Film Production and Ethical Criticism

Nannicelli, Ted (2022). Film Production and Ethical Criticism. A Companion to Motion Pictures and Public Value. (pp. 171-189) edited by Mette Hjort and Ted Nannicelli. Hoboken, NJ, United States: Wiley-Blackwell Publishing.

Introduction: Cognition, emotion, and aesthetics in contemporary serial television

Nannicelli, Ted and Pérez, Héctor J. (2022). Introduction: Cognition, emotion, and aesthetics in contemporary serial television. Cognition, emotion, and aesthetics in contemporary serial television contemporary serial television. (pp. 1-24) Abingdon, Oxon United Kingdom: Routledge.

Television's temporality: seriality and temporal prolongation

García, Alberto N. and Nannicelli, Ted (2022). Television's temporality: seriality and temporal prolongation. Cognition, emotion, and aesthetics in contemporary serial television. (pp. 27-46) edited by Ted Nannicelli and Héctor J. Pérez. Abingdon, Oxon United Kingdom: Routledge. doi: 10.4324/9781003188643-3

Interactive documentary, narrative scepticism, and the values of documentary film

Nannicelli, Ted (2021). Interactive documentary, narrative scepticism, and the values of documentary film. Truth in visual media: aesthetics, ethics and politics. (pp. 167-188) edited by Marguerite La Caze and Ted Nannicelli. Edinburgh, Sotland: Edinburgh University Press.

Introduction

La Caze, Marguerite and Nannicelli, Ted (2021). Introduction. Truth in visual media: aesthetics, ethics and politics. (pp. 1-11) Edinburgh, United Kingdom: Edinburgh University Press.

The television medium

Nannicelli, Ted (2019). The television medium. The Palgrave handbook of the philosophy of film and motion pictures. (pp. 949-970) Cham, Switzerland: Springer International Publishing. doi: 10.1007/978-3-030-19601-1_40

What is a screenplay?

Nannicelli, Ted (2019). What is a screenplay?. The Palgrave handbook of the philosophy of film and motion pictures. (pp. 215-234) edited by Noël Carroll, Laura T. Di Summa and Shawn Loht. Cham, Switzerland: Springer. doi: 10.1007/978-3-030-19601-1_10

Cognitivism

Nannicelli, Ted (2018). Cognitivism. The craft of criticism: critical media studies in practice. (pp. 157-168) edited by Michael Kackman and Mary Celeste Kearney. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9781315879970-14

Screenplays

Nannicelli, Ted (2016). Screenplays. The Routledge Companion to Philosophy of Literature. (pp. 127-136) edited by Nöel Carroll and John Gibson. New York, NY, New York: Routledge. doi: 10.4324/9781315708935-11

Cognitive film theory

Nannicelli, Ted (2014). Cognitive film theory. Oxford bibliographies: cinema and media studies. (pp. 1-2) edited by Krin Gabbard. Oxford, United Kingdom: Oxford University Press. doi: 10.1093/OBO/9780199791286-0142

Formalist theories of film

Nannicelli, Ted (2014). Formalist theories of film. The Routledge Encyclopedia of Film Theory. (pp. 214-219) edited by Edward Branigan and Warren Buckland. Abingdon, Oxon, United Kingdom: Routledge.

Introduction: contemporary cognitive media theory

Nannicelli, Ted and Taberham, Paul (2014). Introduction: contemporary cognitive media theory. Cognitive media theory. (pp. 1-23) edited by Ted Nannicelli and Paul Taberham. New York, NY, United States: Routledge. doi: 10.4324/9780203098226

It's all connected: televisual narrative complexity

Nannicelli, Ted (2009). It's all connected: televisual narrative complexity. The Wire: urban decay and American television. (pp. 190-202) edited by Tiffany Potter and C. W. Marshall. London, United Kingdom: Continuum.

From the Editor

Nannicelli, Ted (2023). From the Editor. Projections, 17 (1), v-vii. doi: 10.3167/proj.2023.170101

How to Do (Im)moral Things with Artworks: Commentary on James Harold’s <i>Dangerous Art</i>

Nannicelli, Ted (2022). How to Do (Im)moral Things with Artworks: Commentary on James Harold’s Dangerous Art. The British Journal of Aesthetics, 62 (4), 549-558. doi: 10.1093/aesthj/ayac012

In Defence of the Production-Oriented Approach to the Ethical Criticism of Art: A Reply to James Harold

Nannicelli, Ted (2022). In Defence of the Production-Oriented Approach to the Ethical Criticism of Art: A Reply to James Harold. The British Journal of Aesthetics, 62 (4), 567-576. doi: 10.1093/aesthj/ayac031

Virtue Aesthetics: A Critical Survey

Nannicelli, Ted (2022). Virtue Aesthetics: A Critical Survey. Pli, 34, 26-58.

Seria o roteiro uma obra de arte?

Nannicelli, Ted (2021). Seria o roteiro uma obra de arte?. Esferas, 1 (21), 28. doi: 10.31501/esf.v1i21.13445

Otro tipo de recompensa narrativa: el concepto de “prolongación temporal” como superación de la serialidad televisiva

García Martínez, Alberto Nahum and Nannicelli, Ted (2021). Otro tipo de recompensa narrativa: el concepto de “prolongación temporal” como superación de la serialidad televisiva. Área Abierta, 21 (3), 349-365. doi: 10.5209/arab.75200

Review of Aesthetic Evaluation and Film

Nannicelli, Ted (2019). Review of Aesthetic Evaluation and Film. The British Journal of Aesthetics, 60 (3), 362-364. doi: 10.1093/aesthj/ayz046

Aesthetics and the limits of the extended mind

Nannicelli, Ted (2019). Aesthetics and the limits of the extended mind. British Journal of Aesthetics, 59 (1), 81-94. doi: 10.1093/aesthj/ayy048

From the editor

Nannicelli, Ted (2019). From the editor. Projections, 13 (1), v-vii. doi: 10.3167/proj.2019.130101

Denial: David Irving, and the complexities of representing a Holocaust denier

Shields, Kirril, Nannicelli, Ted and Theriault, Henry (2018). Denial: David Irving, and the complexities of representing a Holocaust denier. Genocide Studies and Prevention, 12 (3), 40-51. doi: 10.5038/1911-9933.12.3.1573

The interaction of ethics and aesthetics in environmental art

Nannicelli, Ted (2018). The interaction of ethics and aesthetics in environmental art. The Journal of Aesthetics and Art Criticism, 76 (4), 497-506. doi: 10.1111/jaac.12601

Animals, ethics, and the art world

Nannicelli, Ted (2018). Animals, ethics, and the art world. October, 164, 113-132. doi: 10.1162/octo_a_00325

Ethical criticism and the interpretation of art

Nannicelli, Ted (2017). Ethical criticism and the interpretation of art. Journal of Aesthetics and Art Criticism, 75 (4), 401-413. doi: 10.1111/jaac.12395

Instances of cinema

Nannicelli, Ted (2017). Instances of cinema. Projections, 11 (1), 1-15. doi: 10.3167/proj.2017.110102

Against Post-cinema

Nannicelli, Ted and Turvey, Malcolm (2016). Against Post-cinema. Cinéma et Cie, 26/27, 33-44.

In defence of the objectivity of evaluative television criticism

Nannicelli, Ted (2016). In defence of the objectivity of evaluative television criticism. Screen, 57 (2), 124-143. doi: 10.1093/screen/hjw017

The naturalist theatrical aesthetic of bottle episodes

Nannicelli, Ted (2014). The naturalist theatrical aesthetic of bottle episodes. Critical Studies in Television, 9 (3), 54-64. doi: 10.7227/CST.9.3.6

Moderate comic immoralism and the genetic approach to the ethical criticism of art

Nannicelli, Ted (2014). Moderate comic immoralism and the genetic approach to the ethical criticism of art. Journal of Aesthetics and Art Criticism, 72 (2), 169-179. doi: 10.1111/jaac.12072

Review of Psychocinematics: Exploring Cognition at the Movies

Nannicelli, Ted (2014). Review of Psychocinematics: Exploring Cognition at the Movies. Projections, 8 (1), 126-134. doi: 10.3167/proj.2014.080108

The ontology and literary status of the screenplay: the case of "Scriptfic"

Nannicelli, Ted (2013). The ontology and literary status of the screenplay: the case of "Scriptfic". Journal of Literary Theory, 13 (1-2), 135-153. doi: 10.1515/jlt-2013-0006

Lisa Zunshine, Getting Inside Your Head: What Cognitive Science Can Tell Us about Popular Culture

Nannicelli, Ted (2013). Lisa Zunshine, Getting Inside Your Head: What Cognitive Science Can Tell Us about Popular Culture. Projections, 7 (2), 132-137. doi: 10.3167/proj.2013.070207

Hollywood Incoherent by Todd Berliner

Nannicelli, Ted (2012). Hollywood Incoherent by Todd Berliner. British Journal of Aesthetics, 52 (3), 317-320. doi: 10.1093/aesthj/ayr054

New Takes in Film-Philosophy, edited by havi carel and greg tuck,y. New York: Palgrave Macmillan, 2011

Nannicelli, Ted (2012). New Takes in Film-Philosophy, edited by havi carel and greg tuck,y. New York: Palgrave Macmillan, 2011. Journal of Aesthetics and Art Criticism, 70 (3), 326-328. doi: 10.1111/j.1540-6245.2012.01523_6.x

Ontology, Intentionality, and Television Aesthetics.

Nannicelli, Ted (2012). Ontology, Intentionality, and Television Aesthetics.. Screen, 53 (2), 164-179. doi: 10.1093/screen/hjs004

Report on the Harry Ransom Center

Nannicelli, Ted (2012). Report on the Harry Ransom Center. Journal of Screenwriting, 3 (2), 247-248. doi: 10.1386/josc.3.2.247_7

The Adventure of the Real: Jean Rouch and the craft of ethnographic cinema, by Paul Henley (2009)

Nannicelli, Ted (2012). The Adventure of the Real: Jean Rouch and the craft of ethnographic cinema, by Paul Henley (2009). Studies in Documentary Film, 6 (1), 112-114.

The Routledge Companion to Philosophy and Film

Nannicelli, Ted (2012). The Routledge Companion to Philosophy and Film. International Journal of Philosophical Studies, 20 (5), 763-766. doi: 10.1080/09672559.2012.741824

Instructions and Artworks: Musical Scores, Theatrical Scripts, Architectural Plans, and Screenplays.

Nannicelli, Ted (2011). Instructions and Artworks: Musical Scores, Theatrical Scripts, Architectural Plans, and Screenplays.. British Journal of Aesthetics, 51 (4), 399-414. doi: 10.1093/aesthj/ayr029

Why Can't Screenplays Be Artworks?

Nannicelli, Ted (2011). Why Can't Screenplays Be Artworks?. Journal of Aesthetics and Art Criticism, 69 (4), 405-414. doi: 10.1111/j.1540-6245.2011.01484.x

The Early Screenwriting Practice of Ernest Lehman

Nannicelli, Ted (2010). The Early Screenwriting Practice of Ernest Lehman. Journal of Screenwriting, 1 (2), 399-414. doi: 10.1386/josc.1.2.237/1

Luis Bunuel's Land Without Bread: the critics and the contexts

Nannicelli, Ted (2007). Luis Bunuel's Land Without Bread: the critics and the contexts. Studies in Documentary Film, 1 (2), 137-150. doi: 10.1386/sdf.1.2.137_1

From representation to evocation: tracing a progression in Jean Rouch's Les magiciens de Wanzerbe, Les maitres fous, and Jaguar

Nannicelli, Ted (2006). From representation to evocation: tracing a progression in Jean Rouch's Les magiciens de Wanzerbe, Les maitres fous, and Jaguar. Visual Anthropology, 19 (2), 123-143. doi: 10.1080/08949460600596558