The University of Queensland

'The Greatest Choral Work that has ever been written': Wellington performances of J. S. Bach's St Matthew Passion, 1899–1941

Owens, Samantha (2014). 'The Greatest Choral Work that has ever been written': Wellington performances of J. S. Bach's St Matthew Passion, 1899–1941. Understanding Bach, 9, 75-86.

Theodor Schwartzkopff and French music at the Court of Wuerttemberg-Stuttgart in the 1680s

Owens, Samantha (2013). Theodor Schwartzkopff and French music at the Court of Wuerttemberg-Stuttgart in the 1680s. Musik in Baden-Wuerttemberg, 20, 31-43.

Robert Dalley-Scarlett (1887-1959) and Handel Reception in Australia between the World Wars

Owens, Samantha (2012). Robert Dalley-Scarlett (1887-1959) and Handel Reception in Australia between the World Wars. Musicology Australia, 34 (2), 165-183. doi: 10.1080/08145857.2012.734963

Johann Sigismund Cousser, William III and the Serenata in Early Eighteenth-Century Dublin

Owens, Samantha (2009). Johann Sigismund Cousser, William III and the Serenata in Early Eighteenth-Century Dublin. Eighteenth-Century Music, 6 (1), 7-39. doi: 10.1017/S1478570609001717

Johann Sigismund Kusser, Serenatas for Dublin

Samantha Owens ed. (2020). Johann Sigismund Kusser, Serenatas for Dublin. Recent Researches in the Music of the Baroque Era, Middleton, WI, United States: A-R Editions.

Searches for tradition: Essays on New Zealand music, past and present

Samantha Owens and Michael Brown eds. (2017). Searches for tradition: Essays on New Zealand music, past and present. Wellington, New Zealand: Victoria University Press.

The well-travelled musician: John Sigismond Cousser and musical exchange in Baroque Europe

Owens, Samantha (2017). The well-travelled musician: John Sigismond Cousser and musical exchange in Baroque Europe. Woodbridge, Suffolk, United Kingdom: Boydell Press.

Music at German Courts: 1715-1760

Samantha Owens, Barbara M. Reul and Janice B. Stockigt eds. (2015). Music at German Courts: 1715-1760. Woodbridge, Suffolk, United Kingdom: Boydell Press.

Music at German courts, 1715–1760: Changing artistic priorities

Samantha Owens, Barbara M. Reul and Janice B. Stockigt. eds. (2011). Music at German courts, 1715–1760: Changing artistic priorities. Woodbridge, U.K.: The Boydell Press.

Johann Sigismund Kusser, Adonis

Owens, Samantha (2009). Johann Sigismund Kusser, Adonis. Middleton, WI, United States: A-R Editions.

'Seven young men on Hautboys': the oboe band in England, c. 1680–1740

Owens, Samantha (2020). 'Seven young men on Hautboys': the oboe band in England, c. 1680–1740. Musical exchange between Britain and Europe, 1500–1800: essays in honour of Peter Holman. (pp. 257-268) edited by John Cunnginham and Bryan White. Woodbridge, Suffolk: Boydell Press.

"A gothic cathedral in music": the performance and reception of Bach's Mass in B minor in 1920s Australia

Owens, Samantha (2018). "A gothic cathedral in music": the performance and reception of Bach's Mass in B minor in 1920s Australia. J.S. Bach in Australia: studies in reception and performance. (pp. 101-116) edited by Denis Collins, Kerry Murphy and Samantha Owens. Melbourne, VIC, Australia: Lyrebird Press.

Appendix 1

Collins, Denis, Murphy, Kerry and Owens, Samantha (2018). Appendix 1. J.S. Bach in Australia: studies in Reception and performance. (pp. 218-221) edited by Denis Collins, Kerry Murphy and Samantha Owens. Melbourne, Australia: Lyrebird Press.

Introduction

Collins, Denis, Murphy, Kerry and Owens, Samantha (2018). Introduction. J.S. Bach in Australia: studies in Reception and performance. (pp. 1-7) edited by Denis Collins, Kerry Murphy and Samantha Owens. Melbourne, Australia: Lyrebird Press.

London, Leipzig or Local? – German Musical Influence and the Establishment of a New Zealand Conservatorium of Music, 1906–8

Owens, Samantha (2017). London, Leipzig or Local? – German Musical Influence and the Establishment of a New Zealand Conservatorium of Music, 1906–8. Searches for tradition: Essays on New Zealand music, past and present. (pp. 46-58) edited by Michael Brown and Samantha Owens. Wellington, New Zealand: Victoria University Press.

Theatre and stage

Owens, Samantha (2017). Theatre and stage. Early modern emotions: an introduction. (pp. 228-230) edited by Susan Broomhall. London, United Kingdom: Routledge. doi: 10.4324/9781315441368

‘Er kan zum Muster dienen’: Kapellmeister Johann Sigismund Kusser and the performance materials for the opera Adonis

Owens, Samantha (2017). ‘Er kan zum Muster dienen’: Kapellmeister Johann Sigismund Kusser and the performance materials for the opera Adonis. Transformationen und Metamorphosen. Bericht über die Symposien der Internationalen Händel-Akademie Karlsruhe 2011 bis 2013. (pp. 53-69) edited by Thomas Seedorf and Christian Schaper.. Laaber, Germany: Laaber-Verlag.

‘Schott aus Hamburg mit seinen Leuthen’: Connections between the public opera houses in Braunschweig and Hamburg, 1690–1738

Owens, Samantha (2017). ‘Schott aus Hamburg mit seinen Leuthen’: Connections between the public opera houses in Braunschweig and Hamburg, 1690–1738. Telemann und die urbanen milieus der aufklärung. (pp. 41-52) Munich, Germany: + Kritik.

'Serious Music': the Brisbane reception of Grainger's historical chamber music recitals (1934)

Owens, Samantha (2015). 'Serious Music': the Brisbane reception of Grainger's historical chamber music recitals (1934). Grainger the Modernist. (pp. 181-199) edited by Suzanne Robinson and Kay Dreyfus. Farnham, Surrey, United Kingdom: Ashgate.

Dalley-Scarlett, Robert

McCredie, Andrew D. and Owens, Samantha (2015). Dalley-Scarlett, Robert. Grove Music Online. (pp. x-xx) New York, NY United States: Oxford University Press.

Tunley, David

McCredie, Andrew D. and Owens, Samantha (2015). Tunley, David. Grove Music Online. (pp. x-xx) New York, NY United States: Oxford Univerisity Press.

'Just as Great as Noverre’: the ballet composer Florian Johann Deller (1729–73) and music at the Wuerttemberg Court

Owens, Samantha (2014). 'Just as Great as Noverre’: the ballet composer Florian Johann Deller (1729–73) and music at the Wuerttemberg Court. The Works of Monsieur Noverre translated from the French: Noverre, his Circle and the English 'Lettres sur la Danse'. (pp. 21-36) edited by Michael Burden and Jennifer Thorpe. Hillsdale, NY, United States: Pendragon Press.

An historical perspective on creative collaboration: the composition of theatrical dance music at the early modern German Court

Owens, Samantha (2014). An historical perspective on creative collaboration: the composition of theatrical dance music at the early modern German Court. Collaborative creative thought and practice in music. (pp. 143-155) edited by Margaret S. Barrett. Burlington, VT, United States: Ashgate. doi: 10.4324/9781315572635-19

Haydn's Creation 'Shamelessly Mangled' in Melbourne: Joseph Summers and a musical libel action against the Age (1893)

Owens, Samantha and Stockigt, Janice B. (2013). Haydn's Creation 'Shamelessly Mangled' in Melbourne: Joseph Summers and a musical libel action against the Age (1893). A Musicological Gift: Libro Homenaje for Jane Morlet Hardie. (pp. 255-282) edited by Kathleen Nelson and Mariacarmen Gómez. Lions Bay, BC, Canada: Institute of Mediaeval Music.

Early modern German perspectives on 'moving the affections'

Owens, Samantha (2012). Early modern German perspectives on 'moving the affections'. Grief and joy: emotions in the music of the 18th century. (pp. 23-25) edited by Rebekah Prince. Crawley, W.A., Australia: The University of Western Australia, ARC Centre of Excellence for the History of Emotions.

'Das gantze Corpus derer musicirenden Personen': An Introduction to German 'Hofkapellen'

Owens, Samantha and Reul, Barbara M. (2011). 'Das gantze Corpus derer musicirenden Personen': An Introduction to German 'Hofkapellen'. Music at German Courts, 1715–1760: Changing Artistic Priorities. (pp. 1-14) edited by Samantha Owens, Barbara M. Reul and Janice B. Stockigt. Woodbridge, U.K.: The Boydell Press.

The court of Wurttemberg-Stuttgart

Owens, Samantha (2011). The court of Wurttemberg-Stuttgart. Music at German Courts, 1715–1760: Changing Artistic Priorities. (pp. 165-196) edited by Samantha Owens, Barbara M. Reul and Janice B. Stockigt. Woodbridge, U.K.: The Boydell Press.

"....nicht so leicht in einer Protestantischen Hoff Cappell einen Catholischen Cappell Meister..." Notes on the early career of Giuseppe Antonio Brescianello (c. 1690-1758)

Owens, Samantha K. (2007). "....nicht so leicht in einer Protestantischen Hoff Cappell einen Catholischen Cappell Meister..." Notes on the early career of Giuseppe Antonio Brescianello (c. 1690-1758). Musik in Baden-Württemberg Jahrbuch. (pp. 199-214) edited by Gabriele Busch-Salmen, Walter Salmen and Markus Zepf. Munich: Strube Verlag.

On the concept of the "Kleine Cammer-Music" in early eighteenth-century German court music

Owens, Samantha K. (2007). On the concept of the "Kleine Cammer-Music" in early eighteenth-century German court music. Johann Friedrich Fasch als Instrumentalkomponist. (pp. 95-108) edited by Konstanze Musketa. Beeskow, Germany: Ortus Verlag.

The rise and decline of opera at the Württemberg Court, 1698-1733

Owens, Samantha (2006). The rise and decline of opera at the Württemberg Court, 1698-1733. Italian Opera in Central Europe. (pp. 99-114) edited by Melania Bucciarelli, Norbert Dubowy and Reinhard Strohm. Berlin: Berliner Wissenschafts-Verlag.

Upgrading from consort to orchestra at the Württemberg court

Owens, Samantha (2005). Upgrading from consort to orchestra at the Württemberg court. From Renaissance to Baroque : Change in instruments and instrumental music in the seventeenth century : Proceedings of the National Early Music Association Conference held, in association with the Department of Music, University of York and the York Early Music Festival, at the University College of Ripon and York St. John, York, 2-4 July 1999. (pp. 227-240) edited by Peter Holman and Jonathan Wainright. Aldershot, England: Ashgate.

The provenance of the J. F. Fasch concertos in Crown Prince Friedrich Ludwig of Württemberg’s music collection: Contextual remarks on the ‘Sammlung Ziegesar’

Owens, Samantha (2003). The provenance of the J. F. Fasch concertos in Crown Prince Friedrich Ludwig of Württemberg’s music collection: Contextual remarks on the ‘Sammlung Ziegesar’. Johann Friedrich Fasch und der italienische Stil. (pp. 77-90) edited by Konstanze Musketa. Dessau, Germany: Internationale Fasch-Gesellschaft e. V. Zerbst.

Und mancher grosser Fürst kan ein Apollo seyn: Erbprinz Friedrich Ludwig von Württemberg (1698–1731)

Owens, Samantha (2003). Und mancher grosser Fürst kan ein Apollo seyn: Erbprinz Friedrich Ludwig von Württemberg (1698–1731). Musik in Baden-Wuerttemberg Jahrbuch. (pp. 177-189) edited by G. Gunther. Stuttgart , Germany: Metzler.

Kusser, Johann Sigismund

Buelow, George J. and Owens, Samantha (2001). Kusser, Johann Sigismund. Grove Music Online. Oxford University Press. doi: 10.1093/gmo/9781561592630.article.15709

Schwartzkopff, Theodor (1659–1732)

Owens, Samantha (2001). Schwartzkopff, Theodor (1659–1732). The New Grove Dictionary of Music and Musicians. (pp. 869-869) edited by Stanley Sadie and John Tyrell. London, United Kingdom: Macmillan.

Helen J. English. Music and World-Building in the Colonial City: Newcastle, NSW, and its Townships, 1860–1880 (review)

Owens, Samantha (2023). Helen J. English. Music and World-Building in the Colonial City: Newcastle, NSW, and its Townships, 1860–1880 (review). Context (48), 109-112. doi: 10.46580/cx89103

Fourth-class wine from Bietigheim? Employment conditions for Lutenist Maria Dorothea St. Pierre and Waldhornist Franz Anton Spurni at the Württemberg Court, c.1719–1736

Owens, Samantha (2019). Fourth-class wine from Bietigheim? Employment conditions for Lutenist Maria Dorothea St. Pierre and Waldhornist Franz Anton Spurni at the Württemberg Court, c.1719–1736. Musicology Australia, 41 (2), 76-90. doi: 10.1080/08145857.2019.1696163

Pictorial depictions of musicians, musical instruments and music-making in the Stammbücher of Paul Jenisch and Johann Michael Weckherlin

Owens, Samantha (2019). Pictorial depictions of musicians, musical instruments and music-making in the Stammbücher of Paul Jenisch and Johann Michael Weckherlin. De Musica Disserenda, 15 (1–2), 159-177. doi: 10.3986/dmd15.1-2.08

The Music Collection of Johann (Ján) Kusser (1626–1695): A Hungarian Émigré in Seventeenth-Century Stuttgart

Owens, Samantha (2018). The Music Collection of Johann (Ján) Kusser (1626–1695): A Hungarian Émigré in Seventeenth-Century Stuttgart. Musicologica Brunensia, 53 (2), 61-85. doi: 10.5817/MB2018-2-4

‘The above mentioned aliens’: Rudolf Mersy’s German band in New Zealand, 1913–19

Owens, Samantha (2017). ‘The above mentioned aliens’: Rudolf Mersy’s German band in New Zealand, 1913–19. Musicology Australia, 39 (1), 1-14. doi: 10.1080/08145857.2017.1332971

‘Unmistakeable Sauerkrauts’: local perceptions of itinerant German musicians in New Zealand, 1850–1920

Owens, Samantha (2017). ‘Unmistakeable Sauerkrauts’: local perceptions of itinerant German musicians in New Zealand, 1850–1920. Nineteenth-Century Music Review, 15 (01), 1-13. doi: 10.1017/S1479409817000076

Music via correspondence: a list of the music collection of Dresden Kreuzorganist Emanuel Benisch

Owens, Samantha (2016). Music via correspondence: a list of the music collection of Dresden Kreuzorganist Emanuel Benisch. Understanding Bach, 11, 39-56.

"Won't sing in German": responses to German music in war-time New Zealand

Owens, Samantha (2014). "Won't sing in German": responses to German music in war-time New Zealand. Crescendo, 1 (95), 16-21.

'The Greatest Choral Work that has ever been written': Wellington performances of J. S. Bach's St Matthew Passion, 1899–1941

Owens, Samantha (2014). 'The Greatest Choral Work that has ever been written': Wellington performances of J. S. Bach's St Matthew Passion, 1899–1941. Understanding Bach, 9, 75-86.

Theodor Schwartzkopff and French music at the Court of Wuerttemberg-Stuttgart in the 1680s

Owens, Samantha (2013). Theodor Schwartzkopff and French music at the Court of Wuerttemberg-Stuttgart in the 1680s. Musik in Baden-Wuerttemberg, 20, 31-43.

Robert Dalley-Scarlett (1887-1959) and Handel Reception in Australia between the World Wars

Owens, Samantha (2012). Robert Dalley-Scarlett (1887-1959) and Handel Reception in Australia between the World Wars. Musicology Australia, 34 (2), 165-183. doi: 10.1080/08145857.2012.734963

'Not always the same minuets': Dance at the Wuerttemberg Court, 1662-1711

Owens, Samantha (2010). 'Not always the same minuets': Dance at the Wuerttemberg Court, 1662-1711. The Court Historian, 15 (2), 133-144. doi: 10.1179/cou.2010.15.2.002

Johann Sigismund Cousser (Kusser): A 'European' in early Eighteenth-century England and Ireland

Owens, Samantha (2010). Johann Sigismund Cousser (Kusser): A 'European' in early Eighteenth-century England and Ireland. Haendel-Jahrbuch, 56, 445-467.

Internationale Wissenschaftliche Konferenz Im Rahmen Der 10. Internationalen Fasch-festtage: Musik An Der Zerbster Residenz, Zerbst

Owens, Samantha and Clark, Brian (2009). Internationale Wissenschaftliche Konferenz Im Rahmen Der 10. Internationalen Fasch-festtage: Musik An Der Zerbster Residenz, Zerbst. Eighteenth-Century Music, 6 (1), 143-146. doi: 10.1017/S1478570609001882

Johann Sigismund Cousser, William III and the Serenata in Early Eighteenth-Century Dublin

Owens, Samantha (2009). Johann Sigismund Cousser, William III and the Serenata in Early Eighteenth-Century Dublin. Eighteenth-Century Music, 6 (1), 7-39. doi: 10.1017/S1478570609001717

"eine liebliche/von vielen Violen bestehende Music" Ballet instrumentation at German Protestant courts, 1650-1700: a study of libretti in Wolfenbuettel and Stuttgart

Owens, Samantha K. (2008). "eine liebliche/von vielen Violen bestehende Music" Ballet instrumentation at German Protestant courts, 1650-1700: a study of libretti in Wolfenbuettel and Stuttgart. The Royal Musical Association Research Chronicle, 41, 25-67.

The Stuttgart Adonis: A recently rediscovered opera by Johann Sigismund Cousser?

Owens, Samantha (2006). The Stuttgart Adonis: A recently rediscovered opera by Johann Sigismund Cousser?. Musical Times, 147 (1896), 67-80. doi: 10.2307/25434405

Censorship of the goût moderne in 1730s Ludwigsburg and the music of Giuseppe Antonio Brescianello

Owens, Samantha (2005). Censorship of the goût moderne in 1730s Ludwigsburg and the music of Giuseppe Antonio Brescianello. Eighteenth Century Music, 2 (2), 299-310. doi: 10.1017/S1478570605000394

'The Ducal Musicians in the Clouds:' The Role of Music in Seventeenth-century German Singballett

Owens, Samantha (2002). 'The Ducal Musicians in the Clouds:' The Role of Music in Seventeenth-century German Singballett. Context : Journal of Music Research, 24 (Spring), 63-67.

The viol at the Württemberg court c. 1717: identification of the Hand Gamba

Owens, Samantha (2002). The viol at the Württemberg court c. 1717: identification of the Hand Gamba. Chelys, 30, 47-59.

Professional women musicians in early eighteenth-century Württemberg

Owens, Samantha (2001). Professional women musicians in early eighteenth-century Württemberg. Music & Letters, 82 (1), 32-50. doi: 10.1093/ml/82.1.32

"Eine schöne Stimm”: Kapellknaben at German Lutheran Courts, 1680–1730

Owens, Samantha (2019). "Eine schöne Stimm”: Kapellknaben at German Lutheran Courts, 1680–1730. International Fasch Festival, Zerbst, Germany, 12–13 April 2019. Beeskow, Germany: Ortus Verlag.

J. S. Cousser and the Irish State Musick at Dublin Castle

Owens, Samantha (2016). J. S. Cousser and the Irish State Musick at Dublin Castle. Pre-concert talk (45 minutes), Wigmore Hall, London, 24 April 2016.

The “Hunting Song” in eighteenth-century england: a copy of James Hook’s "Ye sluggards who murder your lifetime in sleep" from the Zerbster musikstub

Owens, Samantha (2016). The “Hunting Song” in eighteenth-century england: a copy of James Hook’s "Ye sluggards who murder your lifetime in sleep" from the Zerbster musikstub. International Scientific Conference during the 13th International Fasch Festival, Zerbst, Anhalt, Germany, 17-18 April 2015. Beeskow, Germany: Ortus Musikverlag.

‘Here No Rank is to be Observed’: The Role(s) of Dancing Masters and Dancing Nobility in German Courtly Ballets, 1650–170

Owens, Samantha (2016). ‘Here No Rank is to be Observed’: The Role(s) of Dancing Masters and Dancing Nobility in German Courtly Ballets, 1650–170. 18th Annual Oxford Dance Symposium, New College Oxford, 19-20 April 2016.

"Miss Buckland in Dresden": the role of German-trained musicians in New Zealand, 1850–1914

Owens, Samantha (2015). "Miss Buckland in Dresden": the role of German-trained musicians in New Zealand, 1850–1914. Searches for Tradition: Annual Meeting of the New Zealand Musicological Society, Wellington, New Zealand, 31 October–1 November 2015.

Duplex Genius: The French and Italian Musical Styles in the Instrumental Works of Johann Christoph Pez (1664–1716)

Owens, Samantha (2015). Duplex Genius: The French and Italian Musical Styles in the Instrumental Works of Johann Christoph Pez (1664–1716). Music in Transition: Changing Styles and Approaches in the Mid-Baroque (1650–1710), Birmingham Conservatoire, Birmingham City University, United Kingdom, 2-3 July 2015.

Music via Correspondence: A List of the Music Collection of Kreuzorganist Emanuel Benisch

Owens, Samantha (2015). Music via Correspondence: A List of the Music Collection of Kreuzorganist Emanuel Benisch. 7th Bach Network UK Dialogue Meeting, Madingley Hall, University of Cambridge, United Kingdom, 8–10 July 2015.

The ‘Hunting Song’ in Eighteenth-Century England: A Copy of James Hook’s Ye Sluggards Who Murder Your Lifetime in Sleep from the Zerbster Musikstube (B 9)

Owens, Samantha (2015). The ‘Hunting Song’ in Eighteenth-Century England: A Copy of James Hook’s Ye Sluggards Who Murder Your Lifetime in Sleep from the Zerbster Musikstube (B 9). Wissenschaftliche Konferenz zu den 13. Internationalen Fasch-Festtagen, Zerbst, Germany, 15-19 April 2015.

‘The Above Mentioned Aliens’: The Internment of Rudolf Mersy’s German Band on Wellington’s Somes Island, 1914–1918

Owens, Samantha (2015). ‘The Above Mentioned Aliens’: The Internment of Rudolf Mersy’s German Band on Wellington’s Somes Island, 1914–1918. Musical Dialogues, 38th National Conference of the Musicological Society of Australia, Sydney, NSW, Australia, 1-4 October 2015.

"A Hoarse and Impure Voice": Vocal Training at the Württemberg Court, 1680-1730

Owens, Samantha (2014). "A Hoarse and Impure Voice": Vocal Training at the Württemberg Court, 1680-1730. The Voice and Histories of Emotion, 1500-1800. Performance Collaboratory, University of Sydney, Camperdown Campus, NSW, 29 September-1 October 2014.

"A gothic cathedral in music": the reception of Australian performances of Bach's B-minor Mass in the 1920s

Owens, Samantha (2014). "A gothic cathedral in music": the reception of Australian performances of Bach's B-minor Mass in the 1920s. Melbourne Bach Forum, Melbourne, Australia, 25-27 July 2014.

"The Incomparable Director": J.S. Cousser at Hamburg's Hamburg's Gänsemarkt Theatre, 1694–96

Owens, Samantha (2014). "The Incomparable Director": J.S. Cousser at Hamburg's Hamburg's Gänsemarkt Theatre, 1694–96. 16th Biennial International Conference on Baroque Music, Salzburg, Austria, 9-13 July, 2014.

"Won't Sing in German": responses to German music in war-time New Zealand

Owens, Samantha (2014). "Won't Sing in German": responses to German music in war-time New Zealand. Recovering Forbidden Voices 2014: Responding to the Suppression of Music in World War Two, Wellington, NZ, 22-25 August, 2014.

"Bach the Sublime": Australasian reception of the St Matthew Passion (BWV 244), 1875–1950. Brisbane and Wellington

Owens, Samantha (2013). "Bach the Sublime": Australasian reception of the St Matthew Passion (BWV 244), 1875–1950. Brisbane and Wellington. The Sixth J. S. Bach Dialogue Meeting: Bach Looking East, Warsaw, Poland, 3-7 July, 2013.

'A clock of Mr Sale's worck': a musician at home in early eighteenth-century Dublin

Owens, Samantha (2013). 'A clock of Mr Sale's worck': a musician at home in early eighteenth-century Dublin. ANZAMEMS 2013: Australian and New Zealand Association of Medieval and Early Modern Studies Ninth Biennial Conference, Melbourne, VIC, Australia, 12-16 February, 2013. Clayton, VIC, Australia: Monash University.

'Mr Viner's Divisions on Corelli's Solos': the dissemination of Italian music in early eighteenth-century Dublin

Owens, Samantha (2013). 'Mr Viner's Divisions on Corelli's Solos': the dissemination of Italian music in early eighteenth-century Dublin. Global Corelli: Fame and Music in the Early Modern World, Canberra, ACT, Australia, 4-5 November, 2013. Canberra, ACT, Australia: Australian National University.

'A work of the first importance’ – J. S. Bach’s St Matthew Passion in Brisbane, 1874–1950

Owens, Samantha (2012). 'A work of the first importance’ – J. S. Bach’s St Matthew Passion in Brisbane, 1874–1950. 'Bach in Australia' Symposium, Melbourne, Australia, 15 September 2012.

'The most modern methods of propaganda’: Robert Dalley-Scarlett and the Halle Handel Medal(1940)

Owens, Samantha (2012). 'The most modern methods of propaganda’: Robert Dalley-Scarlett and the Halle Handel Medal(1940). Conference of the New Zealand Musicological Society, Auckland, New Zealand, 30 November - 2 December 2012.

Passports, packet-boats, and parcels: Johann Sigismund Cousser as a collector and disseminator of music in early eighteenth-century Europe

Owens, Samantha (2012). Passports, packet-boats, and parcels: Johann Sigismund Cousser as a collector and disseminator of music in early eighteenth-century Europe. Fifteenth Biennial International Conference on Baroque Music, Southampton, United Kingdom, 11-15 July 2012.

‘The Most Elaborate and Difficult of All Choral Works’: Wellington Performances of J. S. Bach’s St Matthew Passion, 1899–1945

Owens, Samantha (2012). ‘The Most Elaborate and Difficult of All Choral Works’: Wellington Performances of J. S. Bach’s St Matthew Passion, 1899–1945. Past Tensions: Reflections on Making History, 2011 New Zealand Historical Association Conference, University of Waikato, Hamilton, New Zealand, 16-18 November 2011.

Text, Rhythm, Gesture: Emotional Meaning and Communication in Sacred and Theatrical European Music, 1600–1750 – German Music

Owens, Samantha (2011). Text, Rhythm, Gesture: Emotional Meaning and Communication in Sacred and Theatrical European Music, 1600–1750 – German Music. ARC Centre for Excellence for the History of Emotions Collaboratory, Musicological Society of Australia Conference, University of Western Austalia, Perth, 30 November - 3 December 2011.

‘Er kan zum Muster dienen’: issues of performance practice in the music of J. S. Kusser

Owens, Samantha (2011). ‘Er kan zum Muster dienen’: issues of performance practice in the music of J. S. Kusser. Johann Sigismund Kusser: Ein europäischer Musiker am Stuttgarter Hof, 26. Internationale Händel-Akademie, Karlsruhe, Germany, 27 February 2011.

Johann Sigismund Cousser’s ‘Collection of Fine Musick’: Evidence of a Pan-European Repertory in London and Dublin, 1704–1727

Owens, Samantha (2010). Johann Sigismund Cousser’s ‘Collection of Fine Musick’: Evidence of a Pan-European Repertory in London and Dublin, 1704–1727. 14th Biennial International Conference on Baroque Music, Queen's University Belfast, Northern Ireland, 30 June - 4 July 2010.

International Musicological Conference in the framework of the 10th International Fasch Festival: Music at the Zerbst Residence - Zerbst, April 10-12, 2008 Internationale Wissenschaftliche Konferenz im rahmen der 10. Internationalen Fasch-Festtage: Musik an der Zerbster Residenz - Zerbst 10-12 April 2008

Owens, Samantha and Clark, Brian (2009). International Musicological Conference in the framework of the 10th International Fasch Festival: Music at the Zerbst Residence - Zerbst, April 10-12, 2008 Internationale Wissenschaftliche Konferenz im rahmen der 10. Internationalen Fasch-Festtage: Musik an der Zerbster Residenz - Zerbst 10-12 April 2008. doi: 10.1017/S1478570609001882

Handel and Johann Sigismund Cousser: ‘European’ in Early Eighteenth-Century Britain

Owens, Samantha (2009). Handel and Johann Sigismund Cousser: ‘European’ in Early Eighteenth-Century Britain. Händel – Der Europäer, Händel-Haus, Halle (Saale), Germany, 7 - 10 June 2009.

Johann Sigismund Cousser (Kusser) and the Dissemination of Musical Style, 1680–1727

Owens, Samantha (2009). Johann Sigismund Cousser (Kusser) and the Dissemination of Musical Style, 1680–1727. 2009 Network Meeting of the Alexander von Humboldt-Stiftung, Carl von Ossietzky Universität Oldenburg, Germany, 8 - 9 October 2009.

‘Not Always the Same Menuetts’: Dance at the Württemberg Court, 1662–1711

Owens, Samantha (2008). ‘Not Always the Same Menuetts’: Dance at the Württemberg Court, 1662–1711. Intriguing places: Dancing in Royal Palaces 1600-1800, Tenth Annual Oxford Dance Symposium, New College, University of Oxford, United Kingdom, 3 May 2008.

‘The Newly Introduced and Generally More Favoured French Method’: The Transmission of French Musical Style at the Württemberg Court, 1665–1715

Owens, Samantha (2008). ‘The Newly Introduced and Generally More Favoured French Method’: The Transmission of French Musical Style at the Württemberg Court, 1665–1715. 13th Biennial International Conference on Baroque Music, University of Leeds, United Kingdom, 2 - 6 July 2008.

‘zum Fürstl: Hoff Staat gehörige Musicalien’: The ownership and dissemination of German court music, 1665-c. 1750

Owens, Samantha (2008). ‘zum Fürstl: Hoff Staat gehörige Musicalien’: The ownership and dissemination of German court music, 1665-c. 1750. Wissenschaftliche Konferenz zu den 10. Internationalen Fasch-Festtagen, Anhalt-Zerbst, Germany, 10-12 April 2008. Beeskow, Germany: Ortus-Musikverl.

"A science too refined for bleak Ireland": Philip Percival, J. S. Cousser and music-making beyond Dublin Castel, 1707-27

Owens, Samantha (2007). "A science too refined for bleak Ireland": Philip Percival, J. S. Cousser and music-making beyond Dublin Castel, 1707-27. Islands 2007: Combined conference of the Australian and New Zealand Musicological Societies, South Bank, QLD, Australia, 22-25 November, 2007.

'Employ Your Muse on Kings Alive': a newly discovered serenata for William III in Hamburg

Owens, Samantha (2006). 'Employ Your Muse on Kings Alive': a newly discovered serenata for William III in Hamburg. 15th New Zealand Musicological Society Conference 2006, Victoria University of Wellington, Wellington, NZ, November, 2006.

Roundtable: The changing artistic priorities of German Hofkapellen, 1715-1760: a comparative panel

Owens, Samantha (2006). Roundtable: The changing artistic priorities of German Hofkapellen, 1715-1760: a comparative panel. Twelfth Biennial International Conference on Baroque Music, University of Warsaw, Poland, 26-30 July 2006.

‘A better market crier than librettist’: J. S. Cousser, F. C. Bressand, and Italian opera at the Braunschweig-Wolfenbüttel court in the early 1690s

Owens, Samantha (2006). ‘A better market crier than librettist’: J. S. Cousser, F. C. Bressand, and Italian opera at the Braunschweig-Wolfenbüttel court in the early 1690s. Twelfth Biennial International Conference on Baroque Music, University of Warsaw, Poland, 26-30 July 2006.

On the concept of the "Kleine Cammer-Music" in early eighteenth-century German court music

Owens, Samantha (2005). On the concept of the "Kleine Cammer-Music" in early eighteenth-century German court music. Wissenschaftliche Konferenz zu den 9. Internationalen Fasch-Festtagen, Anhalt-Zerbst, Germany, 8-9 April, 2005. Beeskow, Germany: Ortus.

'Eine gelinde Music von ferne gehoeret' (Serene Music Heard from a Distance): The Place of Musicians in German Courtly Ballets and Singballette, 1650–1700

Owens, Samantha (2004). 'Eine gelinde Music von ferne gehoeret' (Serene Music Heard from a Distance): The Place of Musicians in German Courtly Ballets and Singballette, 1650–1700. 13th New Zealand Musicological Society Conference 2004, University of Otago, Dunedin, New Zealand, November 2004.

Censorship of the gout moderne in 1730s Ludwigsburg and the Music of Giuseppe Antonio Brescianello

Owens, Samantha (2004). Censorship of the gout moderne in 1730s Ludwigsburg and the Music of Giuseppe Antonio Brescianello. Eleventh Biennial International Conference on Baroque Music, Manchester, United Kingdom, 14-18 July, 2004.

The provenance of the J. F. Fasch concertos in Crown Prince Friedrich Ludwig of Wuerttemberg's music collection: contextual remarks on the "Sammlung Ziegesar"

Owens, Samantha (2003). The provenance of the J. F. Fasch concertos in Crown Prince Friedrich Ludwig of Wuerttemberg's music collection: contextual remarks on the "Sammlung Ziegesar". Wissenschaftliche Konferenz zu den 8. Internationalen Fasch-Festtagen, Anhalt-Zerbst, Germany, 4-5 April, 2003. Dessau, Germany: Anhalt Edition.

Agostino Steffani (1654-1728)

Owens, Samantha (2014). Agostino Steffani (1654-1728). Radio New Zealand: Radio New Zealand.

Classical musicians

Owens, Samantha and Wilkinson, Shelley (2014). Classical musicians. Radio New Zealand: Radio New Zealand.

The jolly German band

Owens, Samantha and Wilkinson, Shelley (2014). The jolly German band. Radio New Zealand: Radio New Zealand.

Johann Friedrich Fasch (1688–1758)

Owens, Samantha (2013). Johann Friedrich Fasch (1688–1758). Wellington, NZ: Radio New Zealand.

Music at the court of Frederick the Great

Owens, Samantha (2012). Music at the court of Frederick the Great. Wellington, Aotearoa, NZ: Radio New Zealand.

The Sonsfeld collection: baroque music for Hautboisten

Les Hautboistes de Prusse, Corall, Georg and Owens, Samantha (2012). The Sonsfeld collection: baroque music for Hautboisten. Perth, WA, Australia: The University of Western Australia.

George Frideric Handel

Owens, Samantha (2009). George Frideric Handel. Radio New Zealand.

Antonio Vivaldi as an Opera Composer

Owens, Samantha (2007). Antonio Vivaldi as an Opera Composer. Radio New Zealand.

Giovanni Battista Pergolesi (1710–1736)

Owens, Samantha (2007). Giovanni Battista Pergolesi (1710–1736). Radio New Zealand.

Handel at Hamburg's Goosemarket Theatre

Owens, Samantha (2006). Handel at Hamburg's Goosemarket Theatre. Wellington, NZ: Radio New Zealand.

Heinrich Schutz

Owens, Samantha (2005). Heinrich Schutz. Wellington, NZ: Radio New Zealand.

Music at the Dresden Court

Owens, Samantha (2004). Music at the Dresden Court. Wellington, NZ: Radio New Zealand.

Baroque programme music

Owens, Samantha (2003). Baroque programme music. Wellington, NZ: Radio New Zealand.

Dieterich Buxtehude (1637–1707)

Owens, Samantha (2003). Dieterich Buxtehude (1637–1707). Wellington, NZ: Radio New Zealand.

Johann Adolf Hasse (1699–1783)

Owens, Samantha (2002). Johann Adolf Hasse (1699–1783). Wellington, NZ: Radio New Zealand.