Dr Ted Nannicelli

Senior Lecturer

School of Communication and Arts
Faculty of Humanities and Social Sciences
t.nannicelli@uq.edu.au
+61 7 336 54748

Overview

Qualifications

  • Doctor of Philosophy, University of Kent
  • Master of Fine Arts, Temple University
  • Bachelor of Arts, Emory University

Publications

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Grants

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Supervision

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Publications

Book

Book Chapter

  • Hjort, Mette and Nannicelli, Ted (2022). A Companion to Motion Pictures and Public Value: General Introduction. A Companion to Motion Pictures and Public Value. (pp. 1-21) edited by Mette Hjort and Ted Nannicelli. Hoboken, NJ, United States: Wiley-Blackwell Publishing.

  • Nannicelli, Ted (2022). Film Production and Ethical Criticism. A Companion to Motion Pictures and Public Value. (pp. 171-189) edited by Mette Hjort and Ted Nannicelli. Hoboken, NJ, United States: Wiley-Blackwell Publishing.

  • Nannicelli, Ted and Pérez, Héctor J. (2022). Introduction: Cognition, emotion, and aesthetics in contemporary serial television. Cognition, emotion, and aesthetics in contemporary serial television contemporary serial television. (pp. 1-24) Abingdon, Oxon United Kingdom: Routledge.

  • García, Alberto N. and Nannicelli, Ted (2022). Television's temporality: Seriality and temporal prolongation. Cognition, Emotion, and Aesthetics in Contemporary Serial Television. (pp. 27-46) Abingdon, Oxon United Kingdom: Routledge. doi: 10.4324/9781003188643-2

  • Nannicelli, Ted (2021). Interactive documentary, narrative scepticism, and the values of documentary film. Truth in visual media: aesthetics, ethics and politics. (pp. 167-188) edited by Marguerite La Caze and Ted Nannicelli. Edinburgh, Sotland: Edinburgh University Press.

  • La Caze, Marguerite and Nannicelli, Ted (2021). Introduction. Truth in visual media: aesthetics, ethics and politics. (pp. 1-11) Edinburgh, United Kingdom: Edinburgh University Press.

  • Nannicelli, Ted (2019). The television medium. The Palgrave handbook of the philosophy of film and motion pictures. (pp. 949-970) Cham, Switzerland: Springer International Publishing. doi: 10.1007/978-3-030-19601-1_40

  • Nannicelli, Ted (2019). What is a screenplay?. The Palgrave handbook of the philosophy of film and motion pictures. (pp. 215-234) edited by Noël Carroll, Laura T. Di Summa and Shawn Loht. Cham, Switzerland: Springer International Publishing. doi: 10.1007/978-3-030-19601-1_10

  • Nannicelli, Ted (2018). Cognitivism. The craft of criticism: critical media studies in practice. (pp. 157-168) edited by Michael Kackman and Mary Celeste Kearney. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9781315879970-14

  • Nannicelli, Ted (2016). Screenplays. The Routledge Companion to Philosophy of Literature. (pp. 127-136) edited by Nöel Carroll and John Gibson. New York, NY, New York: Routledge. doi: 10.4324/9781315708935-11

  • Nannicelli, Ted (2014). Cognitive film theory. Oxford bibliographies: cinema and media studies. (pp. 1-2) edited by Krin Gabbard. Oxford, United Kingdom: Oxford University Press. doi: 10.1093/OBO/9780199791286-0142

  • Nannicelli, Ted (2014). Formalist theories of film. The Routledge Encyclopedia of Film Theory. (pp. 214-219) edited by Edward Branigan and Warren Buckland. Abingdon, Oxon, United Kingdom: Routledge.

  • Nannicelli, Ted and Taberham, Paul (2014). Introduction: contemporary cognitive media theory. Cognitive media theory. (pp. 1-23) edited by Ted Nannicelli and Paul Taberham. New York, NY, United States: Routledge. doi: 10.4324/9780203098226

  • Nannicelli, Ted (2009). It's all connected: televisual narrative complexity. The Wire: urban decay and American television. (pp. 190-202) edited by Tiffany Potter and C. W. Marshall. London, United Kingdom: Continuum.

Journal Article

Grants (Administered at UQ)

PhD and MPhil Supervision

Current Supervision

Completed Supervision