Susan is a registered architect, architectural educator and researcher with a PhD in Architecture from the University of Queensland (2014), and professional qualifications and experience. Prior to her academic career Susan worked in practice for over 10 years in Australia and the UK, gaining experience on a range of project scales and types including community, civic, housing and urban design. She is a Fellow of the Australian Institute of Architects and has contributed to its education committee, and regional and state awards programs in urban design, residential design and art-architecture. She currently sits on the AIA National Gender Equity Committee.
Susan’s research explores architecture and urban design histories; architecture in cultural policy and design governance; and the commissioning, curating and collecting of architecture by cultural institutions in the GLAM sector (galleries, libraries, and museums). Her research and criticism is widely published in academic, professional and industry journals including Journal of Architecture, European Journal of Creative Practices in Cities and Landscapes, AA Files, Leonardo, Fabrications and Architecture Australia. Susan has presented her research in a range of national and international forums. She has been an invited guest lecturer and critic at Ghent University, Deutsches Forum für Kunstgeschichte in Paris, Monash University and Griffith University in Australia, and in 2012 was a Visiting Professor in the VAMA (Visual Arts Media and Architecture) Masters Programme at the Vrije Universiteit Amsterdam. Susan has also been invited to chair and contribute to expert panels at the SCCI Architecture Hub Sydney, Museum of Brisbane, the UQ Art Museum and for the Committee for Brisbane.
Susan has been the recipient of a number of competitive awards and grants for her research. She is currently a Chief Investigator on the ARC funded project Is Architecture Art?: A history of categories, concepts and recent practices(2016-2021), which analyses the changing place of architecture in the realm of culture and cultural administration. This project has produced three books: Pavilion Propositions: Nine Points on an Architectural Phenomenon (2018), Trading Between Architecture and Art: Strategies and Practices of Exchange (2019) and Valuing Architecture: Heritage and the Economics of Culture (2020), and convened two conferences (see: https://isarchitectureart.com/publications/). Susan was also a Chief Investigator on the ARC funded project Campus: Building Modern Australian Universities (2016-2020), which brought together experts from five Australian Universities in an inter-disciplinary team to research the landscape, architecture, planning and heritage of the modern campus in Australia. She is a contributing author to Campus: Building Modern Australian Universities (forthcoming with UWA Press in 2021).
Susan’s research also informs teaching and curriculum development in the Faculty of Engineering, Architecture and Information Technology at UQ. In 2021 Susan will contribute to two projects to develop Indigenous and inter-cultural content for built environment and design education, as part of teams led by indigenous experts.
Awards
2019 UQ Promoting Women Fellowship
2010 David Saunders Founders Grant Award (SAHANZ) (with Jared Bird)
2000 QIA Medallion (Australian Institute of Architects, Qld Chapter)
Memberships
Registered Architect, Board of Architects Queensland
Fellow, Australian Institute of Architects (AIA)
Society of Architectural Historians Australia and New Zealand (SAHANZ)
Susan has been the recipient of a number of competitive awards and grants for her research, including two ARC Discovery grants. The Is Architecture Art? project has brought together an international network of researchers to explore intersections between architecture and art as a way to better understand the place of architecture in contemporary cultural and cultural policy. The Campus: Building Modern Australian Universities project produced the first comprehensive account of the development of the modern campus in Australia and connects this knowledge with discourses and practices concerned with the future of campus design.
Susan’s expertise in the area of art and architecture has led to invitations to contribute to expert panels at the SCCI Architecture Hub Sydney, the Museum of Brisbane, the UQ Art Museum and for the Committee for Brisbane. Her analysis of contemporary architecture and practice has been published in Architecture Australia, NGV Magazine, Australian and New Zealand Journal of Art, Design Online and The Conversation. In 2016 Susan was part of the ABC commissioned documentary series Streets of Your Town which examined the architecture of the Australian suburbs.
Susan’s doctoral research on the design of the iconic Centre Pompidou in Paris, and the cultural significance of the international competition held for its design in 1971, was recognised by an invitation in 2012 to contribute to the Métamatic Research Initiative, a project involving academics, artists and curators, hosted by the Vrije Universiteit (VU) Amsterdam.
Susan is a recipient of the UQ Promoting Women Fellowship and a SAHANZ Saunders Founders Grant award.
Journal Article: Curating architecture and the city: recent Australian pavilions
Holden, Susan and Paine, Ashley (2020). Curating architecture and the city: recent Australian pavilions. European Journal of Creative Practices in Cities and Landscapes, 3 (1), 117-138. doi: 10.6092/issn.2612-0496/10140
Book Chapter: Value on display: curating Robin Hood Gardens
Holden, Susan and Willink, Rosemary (2020). Value on display: curating Robin Hood Gardens. Valuing architecture: heritage and the economics of culture. (pp. 96-117) edited by Ashley Paine, Susan Holden and John Macarthur. Amsterdam, Netherlands: Valiz.
Book: Valuing Architecture: Heritage and the Economics of Culture
Ashley Paine, Susan Holden and John Macarthur eds. (2020). Valuing Architecture: Heritage and the Economics of Culture. Amsterdam, Netherlands: Valiz.
Book Chapter: Assemble's Turner Prize: utility and creativity in the cultural economy
Holden, Susan (2019). Assemble's Turner Prize: utility and creativity in the cultural economy. Trading between architecture and art: strategies and practices of exchange. (pp. 51-62) edited by Wouter Davidts, Susan Holden and Ashley Paine. Amsterdam, The Netherlands: Valiz.
Conference Publication: Core, courtyard, grid: civic form and the (late) modern campus in Australia
Holden, Susan and Logan, Cameron (2018). Core, courtyard, grid: civic form and the (late) modern campus in Australia. Australasian Urban History Planning History Conference, Melbourne, VIC, Australia, 31 January - 2 February 2018. Melbourne, VIC, Australia: RMIT Centre for Urban Research.
Journal Article: Opening Doors and Minds: The Open House Phenomenon
Holden, Susan (2016, 10 05). Opening Doors and Minds: The Open House Phenomenon The Conversation
Journal Article: Bush civics
Holden, Susan and Bird, Jared (2015). Bush civics. Architecture Australia (4), 68-70.
Journal Article: Possible Pompidous
Holden, Susan (2015). Possible Pompidous. AA Files, 70, 33-45.
Is architecture art? A history of categories, concepts and recent practices
(2016–2022) ARC Discovery Projects
(2016–2018) University of Melbourne
Topology/Typology: Two critical concepts in post-war European architecture
(2012–2013) UQ New Staff Research Start-Up Fund
Avian-Human Architecture
Doctor Philosophy
Historic Urban Landscape as an Effective Model for Achieving Sustainable Heritage Management: The Case of Al-Balad Historic Centre of Amman
Doctor Philosophy
Follies and Pavilions in 1990: An Overlooked History of Exchanges between Architecture and Art
(2022) Doctor Philosophy
Architecture and Cultural Policy
This research explores the ways that architecture is valued as part of the arts and culture, with a focus on examining its inclusion and exclusion in cultural policy. Topics include an examination of the history of Australian cultural policy across the three tiers of government; the influence of the cultural economy as a context for cultural policy; the place of architecture in different kinds of policy initiatives from the Australia Council’s support of the Venice Architecture Biennale to municipal and city governments embrace of creative cities policies; and the relationship between cultural policy and the collections and exhibition agendas of cultural institutions that engage with architecture.
Commissioning, Curating and Collecting Architecture
A current focus in this research theme is the phenomenon of contemporary collecting which encompasses the collection of contemporary cultural content and artefacts, as well as the practices of institutions that aim to foreground the contemporary moment through collection management and curatorial strategies. It aims to explore how architecture is part of this cultural agenda, and how this provides a new way to think about established conventions such as conservation and heritage. It builds on past research on museum expansion, architectural competitions, and the contemporary architectural pavilion phenomenon.
Design Governance
This research seeks insights into the changing mechanisms for influence and advocacy through which architects can shape the built environment beyond building. It explores the interrelationship between regulation, incentives, design review panels, exhibitions and education as forms of design governance.
Curating architecture and the city: recent Australian pavilions
Holden, Susan and Paine, Ashley (2020). Curating architecture and the city: recent Australian pavilions. European Journal of Creative Practices in Cities and Landscapes, 3 (1), 117-138. doi: 10.6092/issn.2612-0496/10140
Value on display: curating Robin Hood Gardens
Holden, Susan and Willink, Rosemary (2020). Value on display: curating Robin Hood Gardens. Valuing architecture: heritage and the economics of culture. (pp. 96-117) edited by Ashley Paine, Susan Holden and John Macarthur. Amsterdam, Netherlands: Valiz.
Valuing Architecture: Heritage and the Economics of Culture
Ashley Paine, Susan Holden and John Macarthur eds. (2020). Valuing Architecture: Heritage and the Economics of Culture. Amsterdam, Netherlands: Valiz.
Assemble's Turner Prize: utility and creativity in the cultural economy
Holden, Susan (2019). Assemble's Turner Prize: utility and creativity in the cultural economy. Trading between architecture and art: strategies and practices of exchange. (pp. 51-62) edited by Wouter Davidts, Susan Holden and Ashley Paine. Amsterdam, The Netherlands: Valiz.
Core, courtyard, grid: civic form and the (late) modern campus in Australia
Holden, Susan and Logan, Cameron (2018). Core, courtyard, grid: civic form and the (late) modern campus in Australia. Australasian Urban History Planning History Conference, Melbourne, VIC, Australia, 31 January - 2 February 2018. Melbourne, VIC, Australia: RMIT Centre for Urban Research.
Opening Doors and Minds: The Open House Phenomenon
Holden, Susan (2016, 10 05). Opening Doors and Minds: The Open House Phenomenon The Conversation
Holden, Susan and Bird, Jared (2015). Bush civics. Architecture Australia (4), 68-70.
Holden, Susan (2015). Possible Pompidous. AA Files, 70, 33-45.
Valuing Architecture: Heritage and the Economics of Culture
Ashley Paine, Susan Holden and John Macarthur eds. (2020). Valuing Architecture: Heritage and the Economics of Culture. Amsterdam, Netherlands: Valiz.
Trading Between Architecture and Art: Strategies and practices of exchange
Wouter Davidts, Susan Holden and Ashley Paine eds. (2019). Trading Between Architecture and Art: Strategies and practices of exchange. Amsterdam, Netherlands: Valiz.
Pavilion propositions: nine points on an architectural phenomenon
Macarthur, John, Holden, Susan, Paine, Ashley and Davidts, Wouter (2018). Pavilion propositions: nine points on an architectural phenomenon. Amsterdam, Netherlands: Valiz.
Campus core: architecture and civic form
Holden, Susan and Logan, Cameron (2023). Campus core: architecture and civic form. Campus: building modern Australian universities. (pp. 111-143) edited by Andrew Saniga and Robert Freestone. Crawley, WA, Australia: UWA Publishing.
Charting landscape: identity and ethos
Saniga, Andrew and Holden, Susan (2023). Charting landscape: identity and ethos. Campus: building modern Australian universities. (pp. 145-183) edited by Andrew Saniga and Robert Freestone. Crawley, WA, Australia: UWA Publishing.
Universities in Australia: idea and realpolitik
Garnaut, Christine and Holden, Susan (2023). Universities in Australia: idea and realpolitik. Campus: building modern Australian universities. (pp. 37-73) edited by Andrew Saniga and Robert Freestone. Crawley, WA, Australia: UWA Publishing.
Holden, Susan and Paine, Ashley (2022). Fugitive Architecture. The spoken object: a collector's journey in fashion, jewellery, design and architecture. (pp. 341-377) edited by Gene Sherman. Melbourne, VIC, Australia: Images Publishing.
Mainstream Modern: the campus commissions of Robin Gibson and Partners
Holden, Susan (2022). Mainstream Modern: the campus commissions of Robin Gibson and Partners. Light, space, place: the architecture of Robin Gibson. (pp. 296-317) edited by Deborah van der Plaat and Lloyd Jones. Melbourne, VIC Australia: Uro Publications.
Parallel narratives of disciplinary disruption: the bush campus as design and pedagogical concept
Holden, Susan (2022). Parallel narratives of disciplinary disruption: the bush campus as design and pedagogical concept. Architectural education through materiality: pedagogies of 20th century design. (pp. 164-188) edited by Elke Couchez and Rajesh Heynickx. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9781003201205-13
For what it’s worth: the value of architecture as heritage and culture
Macarthur, John, Holden, Susan and Paine, Ashley (2020). For what it’s worth: the value of architecture as heritage and culture. Valuing architecture: heritage and the economics of culture. (pp. 8-20) edited by Ashley Paine, Susan Holden and John Macarthur. Amsterdam, Netherlands: Valiz.
Value on display: curating Robin Hood Gardens
Holden, Susan and Willink, Rosemary (2020). Value on display: curating Robin Hood Gardens. Valuing architecture: heritage and the economics of culture. (pp. 96-117) edited by Ashley Paine, Susan Holden and John Macarthur. Amsterdam, Netherlands: Valiz.
Assemble's Turner Prize: utility and creativity in the cultural economy
Holden, Susan (2019). Assemble's Turner Prize: utility and creativity in the cultural economy. Trading between architecture and art: strategies and practices of exchange. (pp. 51-62) edited by Wouter Davidts, Susan Holden and Ashley Paine. Amsterdam, The Netherlands: Valiz.
The terms of trade of architecture and art
Davidts, Wouter, Holden, Susan and Paine, Ashley (2019). The terms of trade of architecture and art. Trading between architecture and art: strategies and practices of exchange. (pp. 9-15) edited by Wouter Davidts, Susan Holden and Ashley Paine. Amsterdam, Netherlands: Valiz.
Holden, Susan (2019). Torbreck. Australia modern: architecture, landscape & design 1925–1975. (pp. 158-159) edited by Hannah Lewi and Philip Goad. Melbourne, VIC Australia: Thames and Hudson.
Watershed or whimper? The Australian Year of the Built Environment, 2004
Holden, Susan and Daw, Olivia (2023). Watershed or whimper? The Australian Year of the Built Environment, 2004. Interstices, 22, 46-56. doi: 10.24135/ijara.v22i22.714
Design governance: leveraging the value of architects
Holden, Susan and Volz, Kirsty (2023). Design governance: leveraging the value of architects. Architecture Australia, 112 (2), 54-55.
Fostering a commissioning culture
Holden, Susan (2023). Fostering a commissioning culture. Architecture Australia, 112 (2), 64-65.
Roundtable: government architects in Australia
Holden, Susan and Volz, Kirsty (2023). Roundtable: government architects in Australia. Architecture Australia, 112 (2), 56-59.
The value of architects in government
Holden, Susan and Volz, Kirsty (2023). The value of architects in government. Architecture Australia, 112 (2), 53-69.
The new curator: exhibiting architecture and design
Holden, Susan (2021). The new curator: exhibiting architecture and design. Architecture Australia, 110 (6), 19-19.
Curating architecture and the city: recent Australian pavilions
Holden, Susan and Paine, Ashley (2020). Curating architecture and the city: recent Australian pavilions. European Journal of Creative Practices in Cities and Landscapes, 3 (1), 117-138. doi: 10.6092/issn.2612-0496/10140
Leah Lang on public design leadership
Holden, Susan and Volz, Kirsty (2020). Leah Lang on public design leadership. Parlour: Gender, Equity, Architecture.
Paine, Ashley and Holden, Susan (2019). The pavilion returns: The Holy See’s Vatican Chapels at the 16th International Venice Biennale of Architecture, 26 May–25 November 2018. Fabrications, 29 (1), 109-111. doi: 10.1080/10331867.2019.1539892
Nicolas Schöffer's SCAM: an aesthetic perturbation in the urban field
Holden, Susan (2019). Nicolas Schöffer's SCAM: an aesthetic perturbation in the urban field. Leonardo, 52 (1), 60-61. doi: 10.1162/leon_a_01702
The kinetic architecture of Jean Tinguely’s culture stations
Holden, Susan (2019). The kinetic architecture of Jean Tinguely’s culture stations. The Journal of Architecture, 24 (1), 51-72. doi: 10.1080/13602365.2018.1527385
Holden, Susan (2018). Refiguring the Pavilion: Garden Wall, 2017 National Gallery of Victoria Architecture Commission by Retallack Thompson and Other Architects. Australian and New Zealand Journal of Art, 18 (1), 154-157. doi: 10.1080/14434318.2018.1481338
Paine, Ashley and Holden, Susan (2017). The art of reverence. Architecture Australia, 106 (4), 73-76.
Holden, Susan (2016). Fragile Monuments. Design Online State Library of Queensland
Opening Doors and Minds: The Open House Phenomenon
Holden, Susan (2016, 10 05). Opening Doors and Minds: The Open House Phenomenon The Conversation
Macarthur, John and Holden, Susan (2016). Is architecture art?. Architecture Australia, 105 (2), 46-50.
Holden, Susan and Bird, Jared (2015). Bush civics. Architecture Australia (4), 68-70.
Holden, Susan (2015). Possible Pompidous. AA Files, 70, 33-45.
Holden, Susan (2012). Megastructures and monuments: the dilemma of finding a “permanent image of change” in the Plateau Beaubourg Competition, 1970-71. Fabrications : The Journal of the Society of Architectural Historians Australia and New Zealand, 21 (2), 82-111.
Holden, Susan (2008). Review of Deleuze and Guattari for Architects by Andrew Ballantyne, Thinkers for Architects Series, Routledge, 2007. Fabrications, 18 (1), 128-131. doi: 10.1080/10331867.2008.10539626
Holden, Susan (2004). Deep frame. Houses (39), 86-91.
Holden, Susan (2004). Open dialogue. Houses, 37 (37), 72-77.
Holden, Susan (2003). Surburban insight. Houses (35), 38-43.
Watershed or Whimper? The Australian Year of the Built Environment 2004
Holden, Susan and Daw, Olivia (2022). Watershed or Whimper? The Australian Year of the Built Environment 2004. Ngā Pūtahitanga / Crossings: A Joint Conference of SAHANZ and the Australasian UHPH Group, Auckland, New Zealand, 25-27 November 2022.
Women and design leadership: a new era of architects in the public sector
Holden, Susan and Volz, Kirsty (2022). Women and design leadership: a new era of architects in the public sector. Society of Architectural Historians, Australia and New Zealand (SAHANZ) Annual Conference, Auckland, New Zealand, 25-27 November 2022. Auckland, New Zealand: SAHANZ. doi: 10.55939/a5024piu1x
Holden, Susan and Willink, Rosemary (2019). Exhibiting Destruction: Looking back from Robin Hood Gardens: A Ruin in Reverse, 2018 to The Destruction of the Country House, 1974.. Distance Looks Back: A thematic conference of the European Architectural History Network, held in conjunction with the 36th annual conference of the Society of Architectural Historians, Australia and New Zealand, Sydney, Australia, 10-13 July 2019.
Core, courtyard, grid: civic form and the (late) modern campus in Australia
Holden, Susan and Logan, Cameron (2018). Core, courtyard, grid: civic form and the (late) modern campus in Australia. Australasian Urban History Planning History Conference, Melbourne, VIC, Australia, 31 January - 2 February 2018. Melbourne, VIC, Australia: RMIT Centre for Urban Research.
“To be with architecture is all we ask”: a critical genealogy of The Serpentine Pavilions
Holden, Susan (2017). “To be with architecture is all we ask”: a critical genealogy of The Serpentine Pavilions. Quotation, Quotation: 34th Annual Conference of the Society of Architectural Historians, Australia and New Zealand, Canberra, 5-8 July, 2017. Canberra: SAHANZ: Society of Architectural Historians, Australia & New Zealand.
Re-evaluating the Australian dream: narratives of high-rise living in Torbreck
van der Plaat, Deborah, Holden, Susan, Stead, Naomi and Greenop, Kelly (2015). Re-evaluating the Australian dream: narratives of high-rise living in Torbreck. Society of Architectural Historians, Australia and New Zealand (SAHANZ) Annual Conference, Sydney, NSW, Australia, 7-10 July 2015. Sydney, NSW, Australia: SAHANZ.
Holden, Susan (2015). The institutionalisation of campus planning in Australia: Wally Abraham and the development of Macquarie University, 1964-1982. Society of Architectural Historians, Australia and New Zealand (SAHANZ) Annual Conference, Sydney, NSW, Australia, 7-10 July 2015. Sydney, NSW, Australia: SAHANZ.
A Double Disturbance: Kinetic movement in the ‘Culture Station’ projects of Jean Tinguely
Holden, Susan (2013). A Double Disturbance: Kinetic movement in the ‘Culture Station’ projects of Jean Tinguely. Symposium: „Métamatic Reloaded“ Tinguelys Zeichenmaschinen und ihr Potential für die Kunst von heute, Tinguely Museum, Basel, Switzerland, 20-23 March, 2013.
An open plan: The development of the Griffith University Nathan campus plan, 1966-1973
Holden, Susan and Bird, Jared (2013). An open plan: The development of the Griffith University Nathan campus plan, 1966-1973. Society of Architectural Historians, Australia and New Zealand (SAHANZ) Annual Conference, Gold Coast, QLD, Australia, 2-5 July, 2013. Gold Coast, QLD, Australia: SAHANZ: Society of Architectural Historians, Australia & New Zealand.
The antinomy of the ‘space-time’ concept in modern architecture
Holden, Susan (2012). The antinomy of the ‘space-time’ concept in modern architecture. AAANZ Art Association of Australia and New Zealand Annual Conference 2012, Sydney, Australia, 12-14 July 2012. Camperdown, NSW, Australia: Art Association of Australia and New Zealand (AAANZ).
Cybernetics and ‘Temporal Architecture’: Nicolas Schöffer and the making of the Centre Pompidou
Holden, Susan (2009). Cybernetics and ‘Temporal Architecture’: Nicolas Schöffer and the making of the Centre Pompidou. 17th Annual Conference of the Australian Society for French Studies: "Tekhne, Technique, Technologie", University of Queensland, St Lucia, Australia, 15 - 17 July 2009.
Megastructure revisited: The Australian entries to the Plateau Beaubourg competition, 1970-1971
Holden, Susan (2009). Megastructure revisited: The Australian entries to the Plateau Beaubourg competition, 1970-1971. Society of Architectural Historians, Australia and New Zealand (SAHANZ) Annual Conference, Auckland, New Zealand, 2-5 July 2009. Auckland, New Zealand: SAHANZ.
Kinetic movement and the Centre Pompidou
Susan Holden (2008). Kinetic movement and the Centre Pompidou. Society of Architectural Historians, Australia and New Zealand (SAHANZ) Annual Conference, Geelong, Victoria, 3-6 July, 2008. Geelong, Australia: Society of Architectural Historians, Australia & New Zealand.
Finding the architecture in Deleuze: Heinrich Wolfflin as a source of Deleuze's baroque
Susan Holden (2007). Finding the architecture in Deleuze: Heinrich Wolfflin as a source of Deleuze's baroque. Panorama to Paradise: Proceedings of the XXIVth Annual Conference of SAHANZ, Adelaide, South Australia, 21-23 September 2007. Adelaide: Society of Architectural Historians, Australia & New Zealand.
Government architects and the value of leadership
Holden, Susan and Volz, Kirsty (2021, 06 20). Government architects and the value of leadership
Breaking Ground: Muir and Openwork
Holden, Susan and Paine, Ashley (2018). Breaking Ground: Muir and Openwork. NGV Magazine, 13, 68-73.
Looking back, seeing through: contemporary Australian pavilions
Holden, Susan and Paine, Ashley (2018). Looking back, seeing through: contemporary Australian pavilions. Architecture Australia, 107 (2), 104-108.
The 'Beaubourg Moment': Movement and the Temporality of Architecture
Holden, Susan (2014). The 'Beaubourg Moment': Movement and the Temporality of Architecture. PhD Thesis, School of Architecture, The University of Queensland.
In the moment: the timeliness of Tinguely
Holden, Susan (2012). In the moment: the timeliness of Tinguely. Shakin: the contemporary kinetic aesthetic e-catalogue. (pp. xx-xx) Surfers Paradise, QLD, Australia: Gold Coast City Gallery.
Is architecture art? A history of categories, concepts and recent practices
(2016–2022) ARC Discovery Projects
(2016–2018) University of Melbourne
Topology/Typology: Two critical concepts in post-war European architecture
(2012–2013) UQ New Staff Research Start-Up Fund
Avian-Human Architecture
Doctor Philosophy — Principal Advisor
Other advisors:
Historic Urban Landscape as an Effective Model for Achieving Sustainable Heritage Management: The Case of Al-Balad Historic Centre of Amman
Doctor Philosophy — Associate Advisor
Other advisors:
The architectural construct of the travelling exhibition and its role as mediator between object, subject and context
Doctor Philosophy — Associate Advisor
Other advisors:
Situating architecture within aesthetics
Doctor Philosophy — Associate Advisor
Other advisors:
Follies and Pavilions in 1990: An Overlooked History of Exchanges between Architecture and Art
(2022) Doctor Philosophy — Associate Advisor
Other advisors:
The Met Breuer and the Contestation of Values: The Changing Place of Architecture in the Museum
(2021) Doctor Philosophy — Associate Advisor
Other advisors:
Note for students: The possible research projects listed on this page may not be comprehensive or up to date. Always feel free to contact the staff for more information, and also with your own research ideas.
Architecture and Cultural Policy
This research explores the ways that architecture is valued as part of the arts and culture, with a focus on examining its inclusion and exclusion in cultural policy. Topics include an examination of the history of Australian cultural policy across the three tiers of government; the influence of the cultural economy as a context for cultural policy; the place of architecture in different kinds of policy initiatives from the Australia Council’s support of the Venice Architecture Biennale to municipal and city governments embrace of creative cities policies; and the relationship between cultural policy and the collections and exhibition agendas of cultural institutions that engage with architecture.
Commissioning, Curating and Collecting Architecture
A current focus in this research theme is the phenomenon of contemporary collecting which encompasses the collection of contemporary cultural content and artefacts, as well as the practices of institutions that aim to foreground the contemporary moment through collection management and curatorial strategies. It aims to explore how architecture is part of this cultural agenda, and how this provides a new way to think about established conventions such as conservation and heritage. It builds on past research on museum expansion, architectural competitions, and the contemporary architectural pavilion phenomenon.
Design Governance
This research seeks insights into the changing mechanisms for influence and advocacy through which architects can shape the built environment beyond building. It explores the interrelationship between regulation, incentives, design review panels, exhibitions and education as forms of design governance.
History of Architecture and Urban Design
This theme collects several strands of research on modern architecture and urban design, including intersections between art and architecture in the twentieth century, the evolution of campus design and its relationship to civic design and the emergence of urban design practice, and the evolution of built environment education.